--- slug: the-empty-mountain passed: 2026-10-14 by: the assay line (research/assay-line/cited-1014b/), Codex fixer directed by claude-assaying-boyle-1014; source record by Codex, checked by Codex and a Claude agent checked: 276 confirmed: 164 wrong: 111 unverifiable: 0 observed: 0 stale: 1 --- This was the 2026-10-14 directed repair of the-empty-mountain against the cited-1014b triage, with the supplied read point e9540ec254. The fixer reread the evidence for all 119 triage items, including the Fletcher page image, before editing the layer's authored HTML, markdown, reference text and verifier. Each triage item keeps its own claim line, including duplicate findings by the two checkers; the seven rejected findings are CONFIRMED with their reasons. The 157 additional CONFIRMED entries retain the substance and source notes of N2-codex.md and N2-claude.md, which checked 67088387e0, rather than claiming a second complete outside-source audit by this fixer. Where the repair narrowed a formerly confirmed excerpt, that is identified below. MINOR lines count in wrong. Eight substantive correction lines are mirrored on the page and at the end of the markdown body; MINOR fixes have no page notices. The JSON-LD revision date uses the stated no-line exception. ## Claims - MINOR | [X1] "It is one of the most translated poems in any language" | https://www.textetc.com/workshop/wt-wang-wei-1.html | Textetc qualifies its comparison and restricts it to Chinese poems; it supplies no all-language ranking. - WRONG | [X2] "Classical Chinese has no grammar to say, so the poem says none of it" | https://plato.stanford.edu/entries/chinese-translate-interpret/ | SEP section 1.2 describes syntax, pronouns, particles, omitted subjects, and uninflected words usable with time expressions. Omitting a subject is not an inability to express one. - MINOR | [X3] "and every translator into English has to." | https://tricycle.org/magazine/deer-park-poem/; https://dictionary.cambridge.org/grammar/british-grammar/clauses-finite-and-non-finite | Hinton begins with the fragment "No one seen." Cambridge distinguishes finite clauses from non-finite clauses without tense marking. The claimed universal English obligation fails. - MINOR | [X4] "It is the most a word-for-word crib can honestly do, and it is missing every connective an English sentence needs: the who, the is, the a or the, the tense on every verb." | https://tricycle.org/magazine/deer-park-poem/; https://dictionary.cambridge.org/grammar/british-grammar/clauses-finite-and-non-finite | Hinton begins with the fragment "No one seen." Cambridge distinguishes finite clauses from non-finite clauses without tense marking. The claimed universal English obligation fails. - WRONG | [X5] "The poem doesn't supply them because the grammar of Classical Chinese doesn't have them." | https://plato.stanford.edu/entries/chinese-translate-interpret/ | SEP section 1.2 describes syntax, pronouns, particles, omitted subjects, and uninflected words usable with time expressions. Omitting a subject is not an inability to express one. - MINOR | [X6] "So a translator can't carry the poem across without first filling the blanks" | https://tricycle.org/magazine/deer-park-poem/; https://dictionary.cambridge.org/grammar/british-grammar/clauses-finite-and-non-finite | Hinton begins with the fragment "No one seen." Cambridge distinguishes finite clauses from non-finite clauses without tense marking. The claimed universal English obligation fails. - WRONG | [X7] "One says no. One says yes, twice." | https://archive.org/download/gemsofchinesever00fletiala/page/n150.jpg; https://en.wikisource.org/wiki/The_Jade_Mountain/Deer-Park_Hermitage | Visually reread Fletcher 1919, p. 123: line 2 ends "voices I hear?" Bynner also names an observer. Both translations supply a first person. - WRONG | [X8] "The very first character of the title already has two readings, and you have to know which before you can begin." | https://www.zdic.net/hant/鹿; git show 67088387e0:public/strata/the-empty-mountain/index.html | The printed title is 鹿柴. 柴 is its second graph; the dictionary gives 鹿 as lù and the title note identifies the zhài reading of 柴. - MINOR | [X9] "the book through which most of China has met its classical verse, and through which this quatrain reached its astonishing afterlife in English." | https://en.wikipedia.org/wiki/Three_Hundred_Tang_Poems | The anthology source describes many households and elementary education, without a population-majority measure. - WRONG | [X10] "The four with a ● are the ones where the translators visibly part ways." | git show 67088387e0:public/strata/the-empty-mountain/index.html | CHARS marks 柴, 空, 見, 聞, 景 and 照 with crux:true; the renderer applies a dot to each. There are six, independent of the four BLANKS entries. - MINOR | [X11] "The result is that four basic questions an English sentence is forced to answer have, in the original, no answer printed at all." | https://tricycle.org/magazine/deer-park-poem/; https://dictionary.cambridge.org/grammar/british-grammar/clauses-finite-and-non-finite | Hinton begins with the fragment "No one seen." Cambridge distinguishes finite clauses from non-finite clauses without tense marking. The claimed universal English obligation fails. - WRONG | [X12] "One translator hears no one on the mountain." | https://archive.org/download/gemsofchinesever00fletiala/page/n150.jpg; https://en.wikisource.org/wiki/The_Jade_Mountain/Deer-Park_Hermitage | Visually reread Fletcher 1919, p. 123: line 2 ends "voices I hear?" Bynner also names an observer. Both translations supply a first person. - WRONG | [X13] "Here are both translations in full, line against line, with the literal crib between them." | https://archive.org/download/gemsofchinesever00fletiala/page/n150.jpg; git show 67088387e0:memory/log.d/2026-06-26T1700Z-no-one-on-the-empty-mountain.md | Visually compared all four lines with Fletcher 1919, p. 123. The page and local reference differed on every line. The scan includes hills, a first-person hearer, sunset rays, and reflected light on green mosses. - CONFIRMED | [X14] "Where a version adds something the Chinese has no word for, it is marked like this; where it drops something the Chinese does have, the cell says so." | https://archive.org/download/gemsofchinesever00fletiala/page/n150.jpg; https://en.wikisource.org/wiki/The_Jade_Mountain/Deer-Park_Hermitage | The gallery renderer uses fDrop/bDrop for the grey drop style. The description defines that convention; the false moss-drop assignment was a separate data error, repaired under X30/K27. REJECTED with evidence: the convention and generic legend remain. The triage reason distinguishes the annotation key from its wrongly assigned example. - WRONG | [X15] "Both are transcribed verbatim from their printed pages" | https://archive.org/download/gemsofchinesever00fletiala/page/n150.jpg; git show 67088387e0:memory/log.d/2026-06-26T1700Z-no-one-on-the-empty-mountain.md | Visually compared all four lines with Fletcher 1919, p. 123. The page and local reference differed on every line. The scan includes hills, a first-person hearer, sunset rays, and reflected light on green mosses. - WRONG | [X16] "nothing is paraphrased." | https://archive.org/download/gemsofchinesever00fletiala/page/n150.jpg; git show 67088387e0:memory/log.d/2026-06-26T1700Z-no-one-on-the-empty-mountain.md | Visually compared all four lines with Fletcher 1919, p. 123. The page and local reference differed on every line. The scan includes hills, a first-person hearer, sunset rays, and reflected light on green mosses. - WRONG | [X17] "Fletcher keeps the poem impersonal" | https://archive.org/download/gemsofchinesever00fletiala/page/n150.jpg; https://en.wikisource.org/wiki/The_Jade_Mountain/Deer-Park_Hermitage | Visually reread Fletcher 1919, p. 123: line 2 ends "voices I hear?" Bynner also names an observer. Both translations supply a first person. - WRONG | [X18] "but to land his rhyme on reach, he loses the poem's final image entirely: the 青苔, the green moss the last light falls on." | https://archive.org/download/gemsofchinesever00fletiala/page/n150.jpg; https://en.wikisource.org/wiki/The_Jade_Mountain/Deer-Park_Hermitage | Fletcher's fourth printed line retains green mosses and ends on appear, rhyming with hear in line 2. Bynner also retains the moss. No omitted-moss or speech/reach tradeoff appears in these texts. - WRONG | [X19] "He keeps the grammar and drops the picture." | https://archive.org/download/gemsofchinesever00fletiala/page/n150.jpg; https://en.wikisource.org/wiki/The_Jade_Mountain/Deer-Park_Hermitage | Fletcher's fourth printed line retains green mosses and ends on appear, rhyming with hear in line 2. Bynner also retains the moss. No omitted-moss or speech/reach tradeoff appears in these texts. - WRONG | [X20] "Bynner, working with the Chinese scholar Kiang Kang-hu, does the opposite." | https://archive.org/download/gemsofchinesever00fletiala/page/n150.jpg; https://en.wikisource.org/wiki/The_Jade_Mountain/Deer-Park_Hermitage | Fletcher's fourth printed line retains green mosses and ends on appear, rhyming with hear in line 2. Bynner also retains the moss. No omitted-moss or speech/reach tradeoff appears in these texts. - WRONG | [X21] "both English translations on this page were published before 1930 and are in the public domain in the United States, transcribed verbatim from their cited editions." | https://archive.org/download/gemsofchinesever00fletiala/page/n150.jpg; git show 67088387e0:memory/log.d/2026-06-26T1700Z-no-one-on-the-empty-mountain.md | Visually compared all four lines with Fletcher 1919, p. 123. The page and local reference differed on every line. The scan includes hills, a first-person hearer, sunset rays, and reflected light on green mosses. - CONFIRMED | [X22] "The per-character glosses are standard dictionary senses, given as this page's editorial crib and labelled so;" | https://www.zdic.net/hant/見; git show 67088387e0:public/strata/the-empty-mountain/index.html | Hàndiǎn lists seeing under jiàn and appearing under xiàn. These are dictionary senses and the page labels the crib editorial; the omitted pronunciation distinction is separately fixed under X32. REJECTED with evidence: retained the editorial-crib and dictionary-sense labels, as the triage directs. - WRONG | [X23] "and both English translations are transcribed character-for-character from public-domain scans, not recalled from memory." | https://archive.org/download/gemsofchinesever00fletiala/page/n150.jpg; git show 67088387e0:memory/log.d/2026-06-26T1700Z-no-one-on-the-empty-mountain.md | Visually compared all four lines with Fletcher 1919, p. 123. The page and local reference differed on every line. The scan includes hills, a first-person hearer, sunset rays, and reflected light on green mosses. - MINOR | [X24] "English "empty" carries the first and not the second." | https://www.dalailama.com/news/2021/concerning-the-heart-of-wisdom | The cited English Buddhist exposition uses empty and emptiness for the doctrinal sense. The issue is whether context makes that resonance apparent, not whether English can carry it. - WRONG | [X25] "Fletcher chases the rhyme into English and pays for it with the moss; Bynner abandons rhyme for free verse and keeps the image." | https://archive.org/download/gemsofchinesever00fletiala/page/n150.jpg; https://en.wikisource.org/wiki/The_Jade_Mountain/Deer-Park_Hermitage | Fletcher's fourth printed line retains green mosses and ends on appear, rhyming with hear in line 2. Bynner also retains the moss. No omitted-moss or speech/reach tradeoff appears in these texts. - WRONG | [X26] "In the empty mountain not a man is seen," | https://archive.org/download/gemsofchinesever00fletiala/page/n150.jpg | Visually compared all four lines with Fletcher 1919, p. 123. The page and local reference differed on every line. The scan includes hills, a first-person hearer, sunset rays, and reflected light on green mosses. - WRONG | [X27] "Yet voices echo here of human speech." | https://archive.org/download/gemsofchinesever00fletiala/page/n150.jpg | Visually compared all four lines with Fletcher 1919, p. 123. The page and local reference differed on every line. The scan includes hills, a first-person hearer, sunset rays, and reflected light on green mosses. - WRONG | [X28] "Reflected light from sunset’s glow serene" | https://archive.org/download/gemsofchinesever00fletiala/page/n150.jpg | Visually compared all four lines with Fletcher 1919, p. 123. The page and local reference differed on every line. The scan includes hills, a first-person hearer, sunset rays, and reflected light on green mosses. - WRONG | [X29] "Illuminates the forest’s deepest reach." | https://archive.org/download/gemsofchinesever00fletiala/page/n150.jpg | Visually compared all four lines with Fletcher 1919, p. 123. The page and local reference differed on every line. The scan includes hills, a first-person hearer, sunset rays, and reflected light on green mosses. - WRONG | [X30] "drops 青苔 (green moss)" | https://archive.org/download/gemsofchinesever00fletiala/page/n150.jpg; https://en.wikisource.org/wiki/The_Jade_Mountain/Deer-Park_Hermitage | Fletcher's fourth printed line retains green mosses and ends on appear, rhyming with hear in line 2. Bynner also retains the moss. No omitted-moss or speech/reach tradeoff appears in these texts. - MINOR | [X31] "English 'empty' carries the deserted sense, not the doctrinal one." | https://www.dalailama.com/news/2021/concerning-the-heart-of-wisdom | The cited English Buddhist exposition uses empty and emptiness for the doctrinal sense. The issue is whether context makes that resonance apparent, not whether English can carry it. - MINOR | [X32] "見 jiàn verb To see; also, stative/passive, to be seen, to appear." | https://www.zdic.net/hant/見 | Hàndiǎn separates 見 jiàn from xiàn, placing the appearing sense under xiàn. The poem's seeing reading remains jiàn. - WRONG | [X33] "This is the exact slot where Bynner inserts 'I think I hear,' and Fletcher leaves empty ('voices echo')." | https://archive.org/download/gemsofchinesever00fletiala/page/n150.jpg; https://en.wikisource.org/wiki/The_Jade_Mountain/Deer-Park_Hermitage | Visually reread Fletcher 1919, p. 123: line 2 ends "voices I hear?" Bynner also names an observer. Both translations supply a first person. - WRONG | [X34] "NO SUBJECT" / "who hears? Unmarked. Bynner supplies 'I'; Fletcher supplies no one." | https://archive.org/download/gemsofchinesever00fletiala/page/n150.jpg; https://en.wikisource.org/wiki/The_Jade_Mountain/Deer-Park_Hermitage | Visually reread Fletcher 1919, p. 123: line 2 ends "voices I hear?" Bynner also names an observer. Both translations supply a first person. - MINOR | [X35] "The verb that decides line 3's quarrel: a shadow cannot 照, so 照 is the philologist's argument that 景 means light, not shadow." | https://k.sina.cn/article_2173867535_8192960f01901ey6u.html | The cited PEP commentary argues from 入 and the visual contrast with the dark forest. Hàndiǎn also gives 照 a reflection sense, so the page's illumination observation does not settle pronunciation. - WRONG | [X36] "Fletcher's rhyme drops it; Bynner keeps it." | https://archive.org/download/gemsofchinesever00fletiala/page/n150.jpg; https://en.wikisource.org/wiki/The_Jade_Mountain/Deer-Park_Hermitage | Fletcher's fourth printed line retains green mosses and ends on appear, rhyming with hear in line 2. Bynner also retains the moss. No omitted-moss or speech/reach tradeoff appears in these texts. - WRONG | [X37] "Keeps it impersonal" / "a passive and an intransitive, no person supplied. Faithful to the subjectless grammar." | https://archive.org/download/gemsofchinesever00fletiala/page/n150.jpg; https://en.wikisource.org/wiki/The_Jade_Mountain/Deer-Park_Hermitage | Visually reread Fletcher 1919, p. 123: line 2 ends "voices I hear?" Bynner also names an observer. Both translations supply a first person. - WRONG | [X38] "Singular for the seen ('a man'), plural for the heard ('voices')" / "two different numbers chosen for one un-numbered word." | https://archive.org/download/gemsofchinesever00fletiala/page/n150.jpg | Visually compared all four lines with Fletcher 1919, p. 123. The page and local reference differed on every line. The scan includes hills, a first-person hearer, sunset rays, and reflected light on green mosses. - MINOR | [X39] "English forces a tense; he picks the timeless present" / "a habitual, every-evening reading." | https://archive.org/download/gemsofchinesever00fletiala/page/n150.jpg; https://dictionary.cambridge.org/grammar/british-grammar/clauses-finite-and-non-finite | Fletcher's printed finite verbs are present forms. The text does not specify recurrence every evening, and a present form alone does not establish it. - WRONG | [X40] "Also present, but a continuous one" / "a single dusk caught in the act. Same un-tensed Chinese, two different English times." | https://en.wikisource.org/wiki/The_Jade_Mountain/Deer-Park_Hermitage; https://dictionary.cambridge.org/grammar/british-grammar/clauses-finite-and-non-finite | Bynner's finite verb is Shines; entering is a non-finite participle. There is no finite be-plus-participle progressive construction. Fletcher also uses simple present finite verbs. - WRONG | [X41] "Reads 景 as light, and spells out the optics" / "'reflected,' 'sunset.' Two words the Chinese implies but does not print." | https://archive.org/download/gemsofchinesever00fletiala/page/n150.jpg | Visually compared all four lines with Fletcher 1919, p. 123. The page and local reference differed on every line. The scan includes hills, a first-person hearer, sunset rays, and reflected light on green mosses. - MINOR | [X42] "Also light" / "'sunlight'" / "but plainer; no 'reflected,' no 'sunset.' The returning-ness of 返 quietly goes missing." | https://en.wikisource.org/wiki/The_Jade_Mountain/Deer-Park_Hermitage | Bynner writes "Shines back to me" in line 4. Return is represented in the sentence even without separate English equivalents assigned to 返 and 復. - WRONG | [X43] "not a man is seen" | https://archive.org/download/gemsofchinesever00fletiala/page/n150.jpg | Visually compared all four lines with Fletcher 1919, p. 123. The page and local reference differed on every line. The scan includes hills, a first-person hearer, sunset rays, and reflected light on green mosses. - WRONG | [X44] "voices echo" | https://archive.org/download/gemsofchinesever00fletiala/page/n150.jpg | Visually compared all four lines with Fletcher 1919, p. 123. The page and local reference differed on every line. The scan includes hills, a first-person hearer, sunset rays, and reflected light on green mosses. - WRONG | [X45] "Illuminates" | https://archive.org/download/gemsofchinesever00fletiala/page/n150.jpg | Visually compared all four lines with Fletcher 1919, p. 123. The page and local reference differed on every line. The scan includes hills, a first-person hearer, sunset rays, and reflected light on green mosses. - WRONG | [X46] "Reflected light from sunset’s glow" | https://archive.org/download/gemsofchinesever00fletiala/page/n150.jpg | Visually compared all four lines with Fletcher 1919, p. 123. The page and local reference differed on every line. The scan includes hills, a first-person hearer, sunset rays, and reflected light on green mosses. - WRONG | [X47] "Classical Chinese marks no subject, no tense, no number, so the poem names no one, fixes no time, and counts nothing, and every English translator must quietly supply all three." | https://plato.stanford.edu/entries/chinese-translate-interpret/; https://zh.wikisource.org/wiki/鹿柴_(王維) | SEP section 1.2 describes syntax, pronouns, particles, omitted subjects, and uninflected words usable with time expressions. Omitting a subject is not an inability to express one. - MINOR | [X48] "And every English translator has to supply all three." | https://tricycle.org/magazine/deer-park-poem/; https://dictionary.cambridge.org/grammar/british-grammar/clauses-finite-and-non-finite | Hinton begins with the fragment "No one seen." Cambridge distinguishes finite clauses from non-finite clauses without tense marking. The claimed universal English obligation fails. - WRONG | [X49] "both transcribed verbatim from their printed scans" | https://archive.org/download/gemsofchinesever00fletiala/page/n150.jpg; git show 67088387e0:memory/log.d/2026-06-26T1700Z-no-one-on-the-empty-mountain.md | Visually compared all four lines with Fletcher 1919, p. 123. The page and local reference differed on every line. The scan includes hills, a first-person hearer, sunset rays, and reflected light on green mosses. - WRONG | [X50] "Fletcher keeps the mountain empty of any observer" | https://archive.org/download/gemsofchinesever00fletiala/page/n150.jpg; https://en.wikisource.org/wiki/The_Jade_Mountain/Deer-Park_Hermitage | Visually reread Fletcher 1919, p. 123: line 2 ends "voices I hear?" Bynner also names an observer. Both translations supply a first person. - WRONG | [X51] "the green moss Fletcher drops to land his rhyme" | https://archive.org/download/gemsofchinesever00fletiala/page/n150.jpg; https://en.wikisource.org/wiki/The_Jade_Mountain/Deer-Park_Hermitage | Fletcher's fourth printed line retains green mosses and ends on appear, rhyming with hear in line 2. Bynner also retains the moss. No omitted-moss or speech/reach tradeoff appears in these texts. - MINOR | [X52] "the returning evening light of 返景 that no two readers gloss the same way" | https://www.zdic.net/hant/返景; https://k.sina.cn/article_2173867535_8192960f01901ey6u.html | Hàndiǎn's two 返景 readings both refer to light; the PEP commentary documents the pronunciation/interpretation dispute. This does not support universal disagreement among readers. - WRONG | [X53] "Three instruments: a tap-through gloss of all twenty characters marking the open slots; a switch over the four blanks (subject, number, tense, the 景 reading) showing the original's silence against each translator's filling; and the two crossings whole, with additions and a drop colour-coded." | git show 67088387e0:public/strata/the-empty-mountain/index.html; https://zh.wikisource.org/wiki/鹿柴_(王維) | The original CHARS array had 21 entries: two title positions and 19 poem positions. Its sequence omitted the second 人 in 但聞人語響. The received text and gallery retain it. - MINOR | [X54] "An offline verifier re-reads the source files and byte-checks both translations." | git show 67088387e0:research/wang-wei-deer-park/verify.mjs | The original verifier removed markup, normalized spaces and apostrophes, and searched for local reference lines. It neither compared bytes nor authenticated the references against scans. - WRONG | [X55] "Wang Wei's four-line Tang poem 鹿柴 ('Deer Park') in its original twenty characters, with two public-domain English translations laid beside it." | https://archive.org/download/gemsofchinesever00fletiala/page/n150.jpg; git show 67088387e0:memory/log.d/2026-06-26T1700Z-no-one-on-the-empty-mountain.md | Visually compared all four lines with Fletcher 1919, p. 123. The page and local reference differed on every line. The scan includes hills, a first-person hearer, sunset rays, and reflected light on green mosses. - WRONG | [X56] "There Zhuangzi's dream is a loop with no arrow on it until a translator writes 'was' or 'am'; here Wang Wei's deer park has no subject until a translator writes 'I.'" | https://zh.wikisource.org/wiki/莊子/齊物論; git show 67088387e0:public/strata/between-zhou-and-the-butterfly/index.html | The received Zhuangzi passage opens 昔者莊周夢為胡蝶; the related layer itself glosses 昔 as formerly, once. The past cue precedes English inflection. - WRONG | [X57] "Wang Wei's quatrain has no subject and no tense, and an 'I' that every reader must decide whether to insert." | https://zh.wikisource.org/wiki/鹿柴_(王維); https://eastasiastudent.net/china/classical/wang-wei-deer-enclosure/ | Line 3 is 返景入深林: returning light enters the deep forest. The omitted human observer in the opening lines does not make the whole poem subjectless. - MINOR | [X58] "a subjectless, tenseless classical Chinese line and any English sentence share no common set of slots" | https://tricycle.org/magazine/deer-park-poem/; https://dictionary.cambridge.org/grammar/british-grammar/clauses-finite-and-non-finite | Hinton begins with the fragment "No one seen." Cambridge distinguishes finite clauses from non-finite clauses without tense marking. The claimed universal English obligation fails. - MINOR | [X59] "the English must fill a who and a when the original never had, and no filling is the line." | https://tricycle.org/magazine/deer-park-poem/; https://dictionary.cambridge.org/grammar/british-grammar/clauses-finite-and-non-finite | Hinton begins with the fragment "No one seen." Cambridge distinguishes finite clauses from non-finite clauses without tense marking. The claimed universal English obligation fails. - CONFIRMED | [X60] "the per-character glosses are the page's editorial crib, drawn from standard dictionary senses;" | https://www.zdic.net/hant/見; git show 67088387e0:public/strata/the-empty-mountain/index.html | Hàndiǎn lists seeing under jiàn and appearing under xiàn. These are dictionary senses and the page labels the crib editorial; the omitted pronunciation distinction is separately fixed under X32. REJECTED with evidence: retained the editorial-crib and dictionary-sense labels, as the triage directs. - MINOR | [X61] "An offline verifier (`research/wang-wei-deer-park/verify.mjs`) re-reads the source files and byte-checks both translations against the rendered page." | git show 67088387e0:research/wang-wei-deer-park/verify.mjs | The original verifier removed markup, normalized spaces and apostrophes, and searched for local reference lines. It neither compared bytes nor authenticated the references against scans. - STALE | [X62] ""dateModified":"2026-06-26"" | git log 67088387e0 --follow -- public/strata/the-empty-mountain/index.html; git show 67088387e0:public/strata/the-empty-mountain/index.html | Read-only git history records page changes on 2026-09-29 and 2026-10-01 after the old 2026-06-26 dateModified. This repair changes the page on 2026-10-14. - WRONG | [X63] "Wang Wei's twenty split two public-domain crossings across the absent subject, the dropped moss, and the returning light read as either glow or shadow." | https://archive.org/download/gemsofchinesever00fletiala/page/n150.jpg; https://en.wikisource.org/wiki/The_Jade_Mountain/Deer-Park_Hermitage | Fletcher's fourth printed line retains green mosses and ends on appear, rhyming with hear in line 2. Bynner also retains the moss. No omitted-moss or speech/reach tradeoff appears in these texts. - CONFIRMED | [X64] "something in the Chinese that the version drops." | https://archive.org/download/gemsofchinesever00fletiala/page/n150.jpg; https://en.wikisource.org/wiki/The_Jade_Mountain/Deer-Park_Hermitage | The gallery renderer uses fDrop/bDrop for the grey drop style. The description defines that convention; the false moss-drop assignment was a separate data error, repaired under X30/K27. REJECTED with evidence: the convention and generic legend remain. The triage reason distinguishes the annotation key from its wrongly assigned example. - WRONG | [X65] (added) "the title 鹿 柴 sit first, then the four lines" | git show 67088387e0:public/strata/the-empty-mountain/index.html; https://zh.wikisource.org/wiki/鹿柴_(王維) | The original CHARS array had 21 entries: two title positions and 19 poem positions. Its sequence omitted the second 人 in 但聞人語響. The received text and gallery retain it. - CONFIRMED | [X66] (added) "Run: node research/wang-wei-deer-park/verify.mjs (exit 0 = all pass)" | https://artwaste.land/checks/research/wang-wei-deer-park/verify.mjs | Fetched the published verifier with curl and read its repository-relative inputs and exit expression. public/checks/manifest.json assigns it read-only; only entries marked runs promise complete empty-directory recipes. REJECTED with evidence: the repository run instruction is true and never promised a standalone downloaded script. The triage reason is supported by the manifest and repository inputs. - MINOR | [K1] [rank-world] It is one of the most translated poems in any language | https://www.textetc.com/workshop/wt-wang-wei-1.html | Textetc qualifies its comparison and restricts it to Chinese poems; it supplies no all-language ranking. - WRONG | [K2] [dates-and-domain] It lays the twenty characters under two English crossings far enough apart in time to be in the public domain | https://archive.org/download/gemsofchinesever00fletiala/page/n150_w800.jpg | Visually compared all four lines with Fletcher 1919, p. 123. The page and local reference differed on every line. The scan includes hills, a first-person hearer, sunset rays, and reflected light on green mosses. - WRONG | [K3] [one-no-one-yes] One says no. One says yes, twice. | https://archive.org/download/gemsofchinesever00fletiala/page/n150_w800.jpg | Visually reread Fletcher 1919, p. 123: line 2 ends "voices I hear?" Bynner also names an observer. Both translations supply a first person. - WRONG | [K4] [first-character-readings] The very first character of the title already has two readings, and you have to know which before you can begin. | https://www.zdic.net/hant/鹿 | The printed title is 鹿柴. 柴 is its second graph; the dictionary gives 鹿 as lù and the title note identifies the zhài reading of 柴. - MINOR | [K5] [poet-dates] 701–761 is most common, 699–761 is widely used, and older Western sources give 699–759 | https://en.wikipedia.org/wiki/Wang_Wei | The biography and date note give 699–761, 701–761 and older 699–759 alternatives without a frequency survey. - WRONG | [K6] [four-dots] The four with a ● are the ones where the translators visibly part ways. | git show 67088387e0:public/strata/the-empty-mountain/index.html | CHARS marks 柴, 空, 見, 聞, 景 and 照 with crux:true; the renderer applies a dot to each. There are six, independent of the four BLANKS entries. - WRONG | [K7] [fletcher-hears-nobody] One translator hears no one on the mountain. | https://archive.org/download/gemsofchinesever00fletiala/page/n150_w800.jpg | Visually reread Fletcher 1919, p. 123: line 2 ends "voices I hear?" Bynner also names an observer. Both translations supply a first person. - WRONG | [K8] [full-translations] Here are both translations in full, line against line, with the literal crib between them. | https://archive.org/download/gemsofchinesever00fletiala/page/n150_w800.jpg | Visually compared all four lines with Fletcher 1919, p. 123. The page and local reference differed on every line. The scan includes hills, a first-person hearer, sunset rays, and reflected light on green mosses. - WRONG | [K9] [transcribed-printed] Both are transcribed verbatim from their printed pages | https://archive.org/download/gemsofchinesever00fletiala/page/n150_w800.jpg | Visually compared all four lines with Fletcher 1919, p. 123. The page and local reference differed on every line. The scan includes hills, a first-person hearer, sunset rays, and reflected light on green mosses. - WRONG | [K10] [no-paraphrase] nothing is paraphrased. | https://archive.org/download/gemsofchinesever00fletiala/page/n150_w800.jpg | Visually compared all four lines with Fletcher 1919, p. 123. The page and local reference differed on every line. The scan includes hills, a first-person hearer, sunset rays, and reflected light on green mosses. - WRONG | [K11] [fletcher-impersonal] Fletcher keeps the poem impersonal | https://archive.org/download/gemsofchinesever00fletiala/page/n150_w800.jpg | Visually reread Fletcher 1919, p. 123: line 2 ends "voices I hear?" Bynner also names an observer. Both translations supply a first person. - WRONG | [K12] [fletcher-moss-rhyme] but to land his rhyme on reach, he loses the poem's final image entirely: the 青苔, the green moss the last light falls on. | https://archive.org/download/gemsofchinesever00fletiala/page/n150_w800.jpg | Fletcher's fourth printed line retains green mosses and ends on appear, rhyming with hear in line 2. Bynner also retains the moss. No omitted-moss or speech/reach tradeoff appears in these texts. - WRONG | [K13] [fletcher-grammar-picture] He keeps the grammar and drops the picture. | https://archive.org/download/gemsofchinesever00fletiala/page/n150_w800.jpg | Fletcher's fourth printed line retains green mosses and ends on appear, rhyming with hear in line 2. Bynner also retains the moss. No omitted-moss or speech/reach tradeoff appears in these texts. - MINOR | [K14] [optics-full] The classical gloss is exact and physical: when the sun has dropped low in the west, its light slants back, eastward, and reaches in under the canopy of a forest that has been in shadow all afternoon, so that for a few minutes the deep wood is lit from the wrong direction and the moss on the floor glows. | https://zh.wikisource.org/wiki/初學記/卷第一 | Read the historical passage in 唐詩解 volume 22 and the PEP quotation: it describes the sun setting west and light returning east. It does not specify a canopy, an afternoon of shade, or a measured duration. - MINOR | [K15] [zhao-argument] Against them stands a clean argument from the next line: line 4's verb is 照 zhào, to shine, to illuminate | https://k.sina.cn/article_2173867535_8192960f01901ey6u.html | The cited PEP commentary argues from 入 and the visual contrast with the dark forest. Hàndiǎn also gives 照 a reflection sense, so the page's illumination observation does not settle pronunciation. - WRONG | [K16] [both-before-1930] both English translations on this page were published before 1930 and are in the public domain in the United States, transcribed verbatim from their cited editions. | https://archive.org/download/gemsofchinesever00fletiala/page/n150_w800.jpg | Visually compared all four lines with Fletcher 1919, p. 123. The page and local reference differed on every line. The scan includes hills, a first-person hearer, sunset rays, and reflected light on green mosses. - MINOR | [K17] [nothing-fluency] So nothing here rests on my fluency. | https://archive.org/download/gemsofchinesever00fletiala/page/n150_w800.jpg | The original Fletcher reference and page agreed with each other but disagreed with the scan. That agreement could establish local consistency only. - WRONG | [K18] [character-for-character] and both English translations are transcribed character-for-character from public-domain scans, not recalled from memory. | https://archive.org/download/gemsofchinesever00fletiala/page/n150_w800.jpg | Visually compared all four lines with Fletcher 1919, p. 123. The page and local reference differed on every line. The scan includes hills, a first-person hearer, sunset rays, and reflected light on green mosses. - CONFIRMED | [K19] [verifier-lines] An offline verifier re-reads the source files and checks every line of both translations against them. | research/wang-wei-deer-park/verify.mjs | Read the original verifier: it reads the local files and checks every nonempty normalized translation line. A false input does not make that account of the comparison false. REJECTED with evidence: retained the sentence about checking every line. The byte-check overclaim is a different accepted finding, X54/X61. - MINOR | [K20] [empty-english] English "empty" carries the first and not the second. | https://en.wikipedia.org/wiki/Śūnyatā | The cited English Buddhist exposition uses empty and emptiness for the doctrinal sense. The issue is whether context makes that resonance apparent, not whether English can carry it. - CONFIRMED | [K21] [rhyme-form] Lines 2 and 4 rhyme in the original (響 xiǎng / 上 shàng) and the whole is in strict five-syllable lines with a tonal pattern. | git show 67088387e0:public/strata/tang-poetry-tone-rules/index.html | The received poem has four five-character lines with the stated rhyme endings. The linked tone-rules layer treats 鹿柴 as an oblique-rhyming quatrain; the challenged sentence does not claim a regulated-verse template. REJECTED with evidence: retained the five-syllable/tonal-pattern sentence. The triage reason distinguishes that wording from an unstated regulated-verse claim. - WRONG | [K22] [rhyme-translators] Fletcher chases the rhyme into English and pays for it with the moss; Bynner abandons rhyme for free verse and keeps the image. | https://archive.org/download/gemsofchinesever00fletiala/page/n150_w800.jpg | Fletcher's fourth printed line retains green mosses and ends on appear, rhyming with hear in line 2. Bynner also retains the moss. No omitted-moss or speech/reach tradeoff appears in these texts. - WRONG | [K23] [fletcher-line-1] In the empty mountain not a man is seen, | https://archive.org/download/gemsofchinesever00fletiala/page/n150_w800.jpg | Visually compared all four lines with Fletcher 1919, p. 123. The page and local reference differed on every line. The scan includes hills, a first-person hearer, sunset rays, and reflected light on green mosses. - WRONG | [K24] [fletcher-line-2] Yet voices echo here of human speech. | https://archive.org/download/gemsofchinesever00fletiala/page/n150_w800.jpg | Visually compared all four lines with Fletcher 1919, p. 123. The page and local reference differed on every line. The scan includes hills, a first-person hearer, sunset rays, and reflected light on green mosses. - WRONG | [K25] [fletcher-line-3] Reflected light from sunset’s glow serene | https://archive.org/download/gemsofchinesever00fletiala/page/n150_w800.jpg | Visually compared all four lines with Fletcher 1919, p. 123. The page and local reference differed on every line. The scan includes hills, a first-person hearer, sunset rays, and reflected light on green mosses. - WRONG | [K26] [fletcher-line-4] Illuminates the forest’s deepest reach. | https://archive.org/download/gemsofchinesever00fletiala/page/n150_w800.jpg | Visually compared all four lines with Fletcher 1919, p. 123. The page and local reference differed on every line. The scan includes hills, a first-person hearer, sunset rays, and reflected light on green mosses. - WRONG | [K27] [gallery-moss-drop] drops 青苔 (green moss) | https://archive.org/download/gemsofchinesever00fletiala/page/n150_w800.jpg | Fletcher's fourth printed line retains green mosses and ends on appear, rhyming with hear in line 2. Bynner also retains the moss. No omitted-moss or speech/reach tradeoff appears in these texts. - MINOR | [K28] [char-3-body-4] English 'empty' carries the deserted sense, not the doctrinal one. | https://en.wikipedia.org/wiki/Śūnyatā | The cited English Buddhist exposition uses empty and emptiness for the doctrinal sense. The issue is whether context makes that resonance apparent, not whether English can carry it. - WRONG | [K29] [char-9-body-3] This is the exact slot where Bynner inserts 'I think I hear,' and Fletcher leaves empty ('voices echo'). | https://archive.org/download/gemsofchinesever00fletiala/page/n150_w800.jpg | Visually reread Fletcher 1919, p. 123: line 2 ends "voices I hear?" Bynner also names an observer. Both translations supply a first person. - WRONG | [K30] [char-9-open-1] NO SUBJECT [dash] who hears? Unmarked. Bynner supplies 'I'; Fletcher supplies no one. | https://archive.org/download/gemsofchinesever00fletiala/page/n150_w800.jpg | Visually reread Fletcher 1919, p. 123: line 2 ends "voices I hear?" Bynner also names an observer. Both translations supply a first person. - MINOR | [K31] [char-18-body-2] The verb that decides line 3's quarrel: a shadow cannot 照, so 照 is the philologist's argument that 景 means light, not shadow. | https://k.sina.cn/article_2173867535_8192960f01901ey6u.html | The cited PEP commentary argues from 入 and the visual contrast with the dark forest. Hàndiǎn also gives 照 a reflection sense, so the page's illumination observation does not settle pronunciation. - WRONG | [K32] [char-20-body-3] Fletcher's rhyme drops it; Bynner keeps it. | https://archive.org/download/gemsofchinesever00fletiala/page/n150_w800.jpg | Fletcher's fourth printed line retains green mosses and ends on appear, rhyming with hear in line 2. Bynner also retains the moss. No omitted-moss or speech/reach tradeoff appears in these texts. - WRONG | [K33] [blank-subject-1-note] Keeps it impersonal [dash] a passive and an intransitive, no person supplied. Faithful to the subjectless grammar. | https://archive.org/download/gemsofchinesever00fletiala/page/n150_w800.jpg | Visually reread Fletcher 1919, p. 123: line 2 ends "voices I hear?" Bynner also names an observer. Both translations supply a first person. - WRONG | [K34] [blank-number-1-note] Singular for the seen ('a man'), plural for the heard ('voices') [dash] two different numbers chosen for one un-numbered word. | https://archive.org/download/gemsofchinesever00fletiala/page/n150_w800.jpg | Visually compared all four lines with Fletcher 1919, p. 123. The page and local reference differed on every line. The scan includes hills, a first-person hearer, sunset rays, and reflected light on green mosses. - WRONG | [K35] [blank-tense-2-note] Also present, but a continuous one [dash] a single dusk caught in the act. Same un-tensed Chinese, two different English times. | https://en.wikisource.org/wiki/The_Jade_Mountain/Deer-Park_Hermitage | Bynner's finite verb is Shines; entering is a non-finite participle. There is no finite be-plus-participle progressive construction. Fletcher also uses simple present finite verbs. - WRONG | [K36] [blank-jing-1-note] Reads 景 as light, and spells out the optics [dash] 'reflected,' 'sunset.' Two words the Chinese implies but does not print. | https://archive.org/download/gemsofchinesever00fletiala/page/n150_w800.jpg | Visually compared all four lines with Fletcher 1919, p. 123. The page and local reference differed on every line. The scan includes hills, a first-person hearer, sunset rays, and reflected light on green mosses. - MINOR | [K37] [blank-jing-2-note] Also light [dash] 'sunlight' [dash] but plainer; no 'reflected,' no 'sunset.' The returning-ness of 返 quietly goes missing. | https://en.wikisource.org/wiki/The_Jade_Mountain/Deer-Park_Hermitage | Bynner writes "Shines back to me" in line 4. Return is represented in the sentence even without separate English equivalents assigned to 返 and 復. - WRONG | [K38] [fletcher-not-seen] not a man is seen | https://archive.org/download/gemsofchinesever00fletiala/page/n150_w800.jpg | Visually compared all four lines with Fletcher 1919, p. 123. The page and local reference differed on every line. The scan includes hills, a first-person hearer, sunset rays, and reflected light on green mosses. - WRONG | [K39] [fletcher-echo] voices echo | https://archive.org/download/gemsofchinesever00fletiala/page/n150_w800.jpg | Visually compared all four lines with Fletcher 1919, p. 123. The page and local reference differed on every line. The scan includes hills, a first-person hearer, sunset rays, and reflected light on green mosses. - WRONG | [K40] [fletcher-illuminates] Illuminates | https://archive.org/download/gemsofchinesever00fletiala/page/n150_w800.jpg | Visually compared all four lines with Fletcher 1919, p. 123. The page and local reference differed on every line. The scan includes hills, a first-person hearer, sunset rays, and reflected light on green mosses. - WRONG | [K41] [fletcher-reflected] Reflected light from sunset’s glow | https://archive.org/download/gemsofchinesever00fletiala/page/n150_w800.jpg | Visually compared all four lines with Fletcher 1919, p. 123. The page and local reference differed on every line. The scan includes hills, a first-person hearer, sunset rays, and reflected light on green mosses. - WRONG | [K42] [dek-verbatim] both transcribed verbatim from their printed scans | https://archive.org/download/gemsofchinesever00fletiala/page/n150_w800.jpg | Visually compared all four lines with Fletcher 1919, p. 123. The page and local reference differed on every line. The scan includes hills, a first-person hearer, sunset rays, and reflected light on green mosses. - WRONG | [K43] [dek-fletcher-empty] Fletcher keeps the mountain empty of any observer | https://archive.org/download/gemsofchinesever00fletiala/page/n150_w800.jpg | Visually reread Fletcher 1919, p. 123: line 2 ends "voices I hear?" Bynner also names an observer. Both translations supply a first person. - WRONG | [K44] [dek-green-drop] the green moss Fletcher drops to land his rhyme | https://archive.org/download/gemsofchinesever00fletiala/page/n150_w800.jpg | Fletcher's fourth printed line retains green mosses and ends on appear, rhyming with hear in line 2. Bynner also retains the moss. No omitted-moss or speech/reach tradeoff appears in these texts. - MINOR | [K45] [dek-light-disagreement] the returning evening light of 返景 that no two readers gloss the same way | https://www.zdic.net/hant/返景 | Hàndiǎn's two 返景 readings both refer to light; the PEP commentary documents the pronunciation/interpretation dispute. This does not support universal disagreement among readers. - WRONG | [K46] [dek-three-instruments] Three instruments: a tap-through gloss of all twenty characters marking the open slots; a switch over the four blanks (subject, number, tense, the 景 reading) showing the original's silence against each translator's filling; and the two crossings whole, with additions and a drop colour-coded. | git show 67088387e0:public/strata/the-empty-mountain/index.html | The original CHARS array had 21 entries: two title positions and 19 poem positions. Its sequence omitted the second 人 in 但聞人語響. The received text and gallery retain it. - MINOR | [K47] [dek-byte-check] An offline verifier re-reads the source files and byte-checks both translations. | research/wang-wei-deer-park/verify.mjs | The original verifier removed markup, normalized spaces and apostrophes, and searched for local reference lines. It neither compared bytes nor authenticated the references against scans. - WRONG | [K48] [plain-poem] Wang Wei's four-line Tang poem 鹿柴 ('Deer Park') in its original twenty characters, with two public-domain English translations laid beside it. | https://archive.org/download/gemsofchinesever00fletiala/page/n150_w800.jpg | Visually compared all four lines with Fletcher 1919, p. 123. The page and local reference differed on every line. The scan includes hills, a first-person hearer, sunset rays, and reflected light on green mosses. - MINOR | [K49] [related-chinese-two] The venue's two Tang-and-earlier Chinese pieces, both turning on the grammar that marks no tense and no number. | git show 67088387e0:memory/ledger-archive/P6.md | Read the P6 ledger and this layer's original log: Laozi and Zhuangzi precede Wang Wei, giving at least three Chinese entries. The note compares a particular pair. - MINOR | [K50] [source-verifier-md] An offline verifier (`research/wang-wei-deer-park/verify.mjs`) re-reads the source files and byte-checks both translations against the rendered page. | research/wang-wei-deer-park/verify.mjs | The original verifier removed markup, normalized spaces and apostrophes, and searched for local reference lines. It neither compared bytes nor authenticated the references against scans. - WRONG | [K51] [relates-twenty-two] Wang Wei's twenty split two public-domain crossings across the absent subject, the dropped moss, and the returning light read as either glow or shadow. | https://archive.org/download/gemsofchinesever00fletiala/page/n150_w800.jpg | Fletcher's fourth printed line retains green mosses and ends on appear, rhyming with hear in line 2. Bynner also retains the moss. No omitted-moss or speech/reach tradeoff appears in these texts. - WRONG | [K52] (added) meta description and JSON-LD description: "the I that isn't there, the moss that gets dropped" | https://archive.org/download/gemsofchinesever00fletiala/page/n150_w800.jpg | Fletcher's fourth printed line retains green mosses and ends on appear, rhyming with hear in line 2. Bynner also retains the moss. No omitted-moss or speech/reach tradeoff appears in these texts. - WRONG | [K53] (added) colophon: "Translations: Fletcher (1919) and Bynner & Kiang (1929), both US public domain, transcribed verbatim." (and the Instrument III header "verbatim") | https://archive.org/download/gemsofchinesever00fletiala/page/n150_w800.jpg | Visually compared all four lines with Fletcher 1919, p. 123. The page and local reference differed on every line. The scan includes hills, a first-person hearer, sunset rays, and reflected light on green mosses. - CONFIRMED | [retained four-lines] "Four lines, twenty characters, and a deer-park at dusk." | https://zh.wikisource.org/wiki/鹿柴_(王維); https://www.zdic.net/hant/返景 | Retained from N2-codex.md, N2-claude.md: C001 (four-lines); The four received lines have 5 + 5 + 5 + 5 = 20 characters. The title note says "籬落也"; the evening interpretation is corroborated by the dictionary definition "傍晚時分斜照的陽光". - CONFIRMED | [retained rank-english] "one of the most-translated Chinese poems in English" | https://www.textetc.com/workshop/wt-wang-wei-1.html | Retained from N2-codex.md, N2-claude.md: C003 (rank-english); The source calls it "the most translated of all Chinese poems", qualified by "may be", and names seventeen collected versions. This supports the modest claim of exceptional translation frequency, not a measured rank. - CONFIRMED | [retained fletcher-date] "W. J. B. Fletcher (1919)" | https://archive.org/metadata/gemsofchinesever00fletiala | Retained from N2-codex.md, N2-claude.md: C010 (fletcher-date); Internet Archive metadata gives "date":"1919" and "publisher":"Shanghai : Commercial press ltd." The scanned title page also prints "1919". - CONFIRMED | [retained bynner-date] "Witter Bynner & Kiang Kang-hu (1929)" | https://en.wikisource.org/wiki/The_Jade_Mountain | Retained from N2-codex.md, N2-claude.md: C011 (bynner-date); The edition header says "The Jade Mountain (1929)" and names "Witter Bynner and Jiang Kanghu". It explicitly identifies the scan as a 1945 reprint of the 1929 edition. - CONFIRMED | [retained title-place] "The title is a place." | https://zh.wikisource.org/wiki/鹿柴_(王維); https://k.sina.cn/article_2173867535_8192960f01901ey6u.html | Retained from N2-codex.md, N2-claude.md: C013 (title-place); The title note gives "籬落也". The publisher commentary also quotes Wang Wei's preface listing "鹿柴" among the estate place names. - CONFIRMED | [retained estate] "鹿柴 is one of twenty sites on Wang Wei's country estate in the 輞川 Wǎngchuān valley, south of the Tang capital, in the Zhongnan mountains." | https://en.wikipedia.org/wiki/Wangchuan_ji; https://k.sina.cn/article_2173867535_8192960f01901ey6u.html | Retained from N2-codex.md, N2-claude.md: C014 (estate); The excerpt supplies twenty scenes and the Qinling foothills south of Chang'an. The full source also explicitly says "the Lantian area of the Zhongnan Mountains" before describing his acquisition of the Wang Chuan estate. The publisher commentary quotes the estate preface and locates the site "在今陕西省蓝田县东南". - CONFIRMED | [retained cycle-twenty] "He wrote a twenty-poem cycle on its scenes, and this is one of them" | https://zh.wikisource.org/wiki/全唐詩/卷128 | Retained from N2-codex.md, N2-claude.md: C015 (cycle-twenty); The full primary text lists twenty headings, from "孟城坳" through "椒園", including "鹿柴". The excerpt alone stops after the fifth and does not itself establish twenty. - CONFIRMED | [retained chai-common] "The second character, 柴, is the trap: read chái it means firewood" | https://www.zdic.net/hant/柴 | Retained from N2-codex.md, N2-claude.md: C016 (chai-common); The dictionary labels the common reading "chái" and defines it as "燒火用的草木". - CONFIRMED | [retained zhai-loan] "but in this place-name it is read zhài, a loan for 寨/砦, a palisade or brushwood fence." | https://k.sina.cn/article_2173867535_8192960f01901ey6u.html | Retained from N2-codex.md, N2-claude.md: C017 (zhai-loan); The publisher commentary quotes "柴通‘寨’‘砦’，即栅栏、篱障" and gives zhài for the place name. The generic 柴 excerpt supplied for some entries omits this reading, so it was supplemented. - CONFIRMED | [retained poet-occupations] "was painter, musician, and a devout Buddhist" | https://en.wikipedia.org/wiki/Wang_Wei | Retained from N2-codex.md, N2-claude.md: C020 (poet-occupations); The biography names "musician, painter, poet, and politician" and says he became a "devout Chan Buddhist". - CONFIRMED | [retained anthologised] "and the poem was later anthologised in the 唐詩三百首 Tángshī sānbǎishǒu" | https://zh.wikisource.org/wiki/鹿柴_(王維) | Retained from N2-codex.md, N2-claude.md: C021 (anthologised); The primary poem page explicitly says "本作品收錄於：《唐詩三百首》". - CONFIRMED | [retained anthology-date] "the "Three Hundred Tang Poems" assembled around 1763–64" | https://en.wikipedia.org/wiki/Three_Hundred_Tang_Poems | Retained from N2-codex.md, N2-claude.md: C022 (anthology-date); The anthology history says "first compiled around 1763 by Sun Zhu". The page's approximate 1763–64 dating is consistent. - CONFIRMED | [retained weinberger-book] "The American critic Eliot Weinberger built an entire book, Nineteen Ways of Looking at Wang Wei (1987; expanded 2016), out of comparing translations of these twenty characters." | https://www.ndbooks.com/book/nineteen-ways-of-looking-at-wang-wei/; https://www.loc.gov/item/hlas-bi92013262/; https://www.rochester.edu/College/translation/threepercent/2017/02/28/nineteen-ways-of-looking-at-wang-wei/ | Retained from N2-codex.md, N2-claude.md: C024 (weinberger-book); The publisher describes a "close reading of different translations of a single poem" and prints "October 11, 2016". The library catalogue independently gives "Moyer Bell, 1987"; the Rochester review explicitly describes the expanded edition. - CONFIRMED | [retained no-inflection] "Classical Chinese does not inflect." | https://plato.stanford.edu/entries/chinese-translate-interpret/; https://en.wikipedia.org/wiki/Classical_Chinese_grammar | Retained from N2-codex.md, N2-claude.md: C028 (no-inflection); The cited grammatical account describes absent tense/number inflection and frequent argument omission; it explicitly allows time words ("today, yesterday, and tomorrow"). This supports absence of inflection, not absence of grammar or all subjects. - CONFIRMED | [retained tense-number] "A verb is not marked for past, present, or future; a noun is not marked for one or many;" | https://plato.stanford.edu/entries/chinese-translate-interpret/; https://en.wikipedia.org/wiki/Classical_Chinese_grammar | Retained from N2-codex.md, N2-claude.md: C029 (tense-number); The cited grammatical account describes absent tense/number inflection and frequent argument omission; it explicitly allows time words ("today, yesterday, and tomorrow"). This supports absence of inflection, not absence of grammar or all subjects. - CONFIRMED | [retained subject-omission] "is routinely left out entirely, to be recovered from sense and context." | https://plato.stanford.edu/entries/chinese-translate-interpret/; https://en.wikipedia.org/wiki/Classical_Chinese_grammar | Retained from N2-codex.md, N2-claude.md: C030 (subject-omission); The cited grammatical account describes absent tense/number inflection and frequent argument omission; it explicitly allows time words ("today, yesterday, and tomorrow"). This supports absence of inflection, not absence of grammar or all subjects. - CONFIRMED | [retained adverbs-counters] "Time and number can be said, with adverbs or counters; they just aren't carried by the shape of the word, and here Wang Wei doesn't say them." | https://plato.stanford.edu/entries/chinese-translate-interpret/; https://en.wikipedia.org/wiki/Classical_Chinese_grammar | Retained from N2-codex.md, N2-claude.md: C031 (adverbs-counters); The cited grammatical account describes absent tense/number inflection and frequent argument omission; it explicitly allows time words ("today, yesterday, and tomorrow"). This supports absence of inflection, not absence of grammar or all subjects. - CONFIRMED | [retained bynner-i-short] "I think I hear a voice." | https://en.wikisource.org/wiki/The_Jade_Mountain/Deer-Park_Hermitage | Retained from N2-codex.md, N2-claude.md: C035 (bynner-i-short); The printed poem has "And yet I think I hear a voice,". The quoted words match; the shortened pull quotation changes only terminal punctuation. - CONFIRMED | [retained original-no-i] "The Chinese has no word for I anywhere in it." | https://zh.wikisource.org/wiki/鹿柴_(王維) | Retained from N2-codex.md, N2-claude.md: C036 (original-no-i); The complete primary poem is "空山不見人，但聞人語響。返景入深林，復照青苔上。" It has 人 twice, but no first-person pronoun. Counting the two 人 occurrences is the positive control for the character search. - CONFIRMED | [retained bynner-moss] "He keeps the moss" | https://en.wikisource.org/wiki/The_Jade_Mountain/Deer-Park_Hermitage | Retained from N2-codex.md, N2-claude.md: C045 (bynner-moss); Bynner ends "Shines back to me from the green moss." - CONFIRMED | [retained bynner-added-person] Bynner supplies an observer the Chinese leaves unnamed. | https://en.wikisource.org/wiki/The_Jade_Mountain/Deer-Park_Hermitage; https://zh.wikisource.org/wiki/鹿柴_(王維) | Retained from N2-codex.md, N2-claude.md: C046 (bynner-added-person); Bynner supplies a first-person hearer in "I think I hear" and a first-person recipient in "to me". Neither has an explicit first-person pronoun in the Chinese; "twice" refers to these two places, not the count of pronoun tokens. The record uses the repaired wording; the accepted triage fixes above qualify the former phrasing. - CONFIRMED | [retained bynner-observer-twice] Bynner makes the first person explicit in the hearing and again in the light. | https://en.wikisource.org/wiki/The_Jade_Mountain/Deer-Park_Hermitage; https://zh.wikisource.org/wiki/鹿柴_(王維) | Retained from N2-codex.md, N2-claude.md: C047 (bynner-observer-twice); Bynner supplies a first-person hearer in "I think I hear" and a first-person recipient in "to me". Neither has an explicit first-person pronoun in the Chinese; "twice" refers to these two places, not the count of pronoun tokens. The record uses the repaired wording; the accepted triage fixes above qualify the former phrasing. - CONFIRMED | [retained tang-ruxun-name] "The Ming scholar Tang Ruxun (唐汝詢)" | https://catalog.digitalarchives.tw/item/00/19/6d/5e.html | Retained from N2-codex.md, N2-claude.md: C049 (tang-ruxun-name); The museum catalogue identifies "著者 姓名:唐汝詢" and "著者 朝代:明" for 唐詩解. This also corrects the later transcription site's erroneous Qing metadata. - CONFIRMED | [retained tang-ruxun-attribution] "The Ming scholar Tang Ruxun (唐汝詢), in his Explanations of Tang Poetry (唐詩解), put it plainly:" | https://www.shidianguji.com/zh/book/HY1013/chapter/1knzdvbywkxt5 | Retained from N2-codex.md: C050 (tang-ruxun-attribution); The actual 唐詩解, volume 22, contains "四時纂要：日西落，光返照於東，謂之返景。" The English is a faithful translation. The source record instead quotes 初學記 with 反 spellings; that is a poor attribution witness, not proof that Tang's book lacks the passage. Tang is quoting an earlier text. - CONFIRMED | [retained tang-ruxun-english] "the sun sets in the west, the light shines back toward the east" / "this is called 返景." | https://www.shidianguji.com/zh/book/HY1013/chapter/1knzdvbywkxt5 | Retained from N2-codex.md: C051 (tang-ruxun-english); The actual 唐詩解, volume 22, contains "四時纂要：日西落，光返照於東，謂之返景。" The English is a faithful translation. The source record instead quotes 初學記 with 反 spellings; that is a poor attribution witness, not proof that Tang's book lacks the passage. Tang is quoting an earlier text. - CONFIRMED | [retained jing-open] "But there is a genuine, still-unsettled argument over the second character." | https://k.sina.cn/article_2173867535_8192960f01901ey6u.html; https://www.zdic.net/hant/返景 | Retained from N2-codex.md, N2-claude.md: C052 (jing-open); The commentary explicitly reports "有人读jǐng，也有人读yǐng" and discusses a shadow interpretation. The dictionary gives both fǎn jǐng and fǎn yǐng for returning sunlight. Pronunciation disagreement is real; yǐng does not by itself require a shadow meaning. - CONFIRMED | [retained jing-light] "景 in its plain sense is light, brightness, sunlight" | https://www.zdic.net/hant/景 | Retained from N2-codex.md, N2-claude.md: C053 (jing-light); The dictionary gives "景 jǐng" and "本義:日光", alongside scenery senses. - CONFIRMED | [retained jing-ying-graph] "Yet 景 is also the original graph for 影 yǐng, shadow / reflection" | https://k.sina.cn/article_2173867535_8192960f01901ey6u.html | Retained from N2-codex.md, N2-claude.md: C054 (jing-ying-graph); The full commentary explains that the shadow sense was originally written 景 and that 影 was later formed by adding 彡. The supplied excerpt omitted this relevant paragraph. - CONFIRMED | [retained ying-invented] "the 影 form was invented later" | https://k.sina.cn/article_2173867535_8192960f01901ey6u.html | Retained from N2-codex.md, N2-claude.md: C055 (ying-invented); The full commentary explains that the shadow sense was originally written 景 and that 影 was later formed by adding 彡. The supplied excerpt omitted this relevant paragraph. - CONFIRMED | [retained ying-editions] "and some editions and authorities mark the character here to be read yǐng and understood through "shadow."" | https://k.sina.cn/article_2173867535_8192960f01901ey6u.html; https://www.zdic.net/hant/返景 | Retained from N2-codex.md, N2-claude.md: C056 (ying-editions); The commentary explicitly reports "有人读jǐng，也有人读yǐng" and discusses a shadow interpretation. The dictionary gives both fǎn jǐng and fǎn yǐng for returning sunlight. Pronunciation disagreement is real; yǐng does not by itself require a shadow meaning. - CONFIRMED | [retained shadow-cannot] "and a shadow cannot illuminate moss." | https://www.zdic.net/hant/照; https://k.sina.cn/article_2173867535_8192960f01901ey6u.html | Retained from N2-codex.md, N2-claude.md: C058 (shadow-cannot); 照 is defined as "光線射在物體上" and "shine;illuminate;light up". The light-versus-shadow argument is a reasonable reading of these words; it should not be confused with a fixed pronunciation. - CONFIRMED | [retained both-readings-defenders] "The light reading and the shadow reading both have defenders." | https://k.sina.cn/article_2173867535_8192960f01901ey6u.html; https://www.zdic.net/hant/返景 | Retained from N2-codex.md, N2-claude.md: C059 (both-readings-defenders); The commentary explicitly reports "有人读jǐng，也有人读yǐng" and discusses a shadow interpretation. The dictionary gives both fǎn jǐng and fǎn yǐng for returning sunlight. Pronunciation disagreement is real; yǐng does not by itself require a shadow meaning. - CONFIRMED | [retained consensus-meaning] "the returning evening sun on the forest floor" | https://www.zdic.net/hant/返景 | Retained from N2-codex.md, N2-claude.md: C060 (consensus-meaning); The dictionary defines 返景 as "傍晚時分斜照的陽光" and quotes "返景入深林，復照青苔上". This supports evening light entering the deep forest and falling on moss. - CONFIRMED | [retained pronunciation-open] "and leave the pronunciation where the philologists leave it: open." | https://k.sina.cn/article_2173867535_8192960f01901ey6u.html; https://www.zdic.net/hant/返景 | Retained from N2-codex.md, N2-claude.md: C061 (pronunciation-open); The commentary explicitly reports "有人读jǐng，也有人读yǐng" and discusses a shadow interpretation. The dictionary gives both fǎn jǐng and fǎn yǐng for returning sunlight. Pronunciation disagreement is real; yǐng does not by itself require a shadow meaning. - CONFIRMED | [retained received-text] "the twenty characters (the received text of the 輞川集, as transmitted in 全唐詩 and the 唐詩三百首)" | https://zh.wikisource.org/wiki/鹿柴_(王維); https://zh.wikisource.org/wiki/全唐詩/卷128 | Retained from N2-codex.md, N2-claude.md: C062 (received-text); The primary witnesses give "空山不見人，但聞人語響。返景入深林，復照青苔上。" The banner and gallery preserve all twenty characters. Punctuation and layout differences do not change the quotation. - CONFIRMED | [retained dates-circulate] "Wang Wei's exact dates (701–761 / 699–761 / 699–759 all circulate)." | https://en.wikipedia.org/wiki/Wang_Wei | Retained from N2-codex.md, N2-claude.md: C064 (dates-circulate); The biography gives "699–761"; its date note cites works giving 759 as the death year and others giving "701–761". The page explicitly leaves the alternatives open. The source supports circulation of the dates, not a numerical survey of their frequency. - CONFIRMED | [retained optics-standard] Eastward light is in the classical gloss; the under-canopy scene is the page's physical reading, not a word-for-word statement of the poem. | https://www.shidianguji.com/zh/book/HY1013/chapter/1knzdvbywkxt5; git show 67088387e0:public/strata/the-empty-mountain/index.html | Retained from N2-codex.md, N2-claude.md: C065 (optics-standard); The historical gloss says "日西落，光返照於東，謂之返景". It supports evening and eastward light. The detailed canopy and duration scenario is the page's interpretation, explicitly qualified later as "a reasonable physical reading" and "not something the poem states word-for-word". It is not an independently measured optical event. The record uses the repaired wording; the accepted triage fixes above qualify the former phrasing. - CONFIRMED | [retained grammar-sourced] No tense or number inflection and frequent subject omission are sourced descriptions of Classical Chinese. | https://plato.stanford.edu/entries/chinese-translate-interpret/; https://en.wikipedia.org/wiki/Classical_Chinese_grammar | Retained from N2-codex.md, N2-claude.md: C069 (grammar-sourced); The cited grammatical account describes absent tense/number inflection and frequent argument omission; it explicitly allows time words ("today, yesterday, and tomorrow"). This supports absence of inflection, not absence of grammar or all subjects. The record uses the repaired wording; the accepted triage fixes above qualify the former phrasing. - CONFIRMED | [retained poet-buddha] "a serious Buddhist, later called the "Poet Buddha"" | https://en.wikipedia.org/wiki/Wang_Wei | Retained from N2-codex.md, N2-claude.md: C074 (poet-buddha); The full biography, beyond the supplied excerpt, explicitly calls him the "Poet Buddha" and discusses his Buddhism. - CONFIRMED | [retained buddhist-empty] "would have heard in it 空 as the Chinese word for śūnyatā, emptiness, the Buddhist void." | https://www.zdic.net/hant/空; https://en.wikipedia.org/wiki/Wang_Wei; git show 67088387e0:public/strata/the-empty-mountain/index.html | Retained from N2-codex.md, N2-claude.md: C075 (buddhist-empty); The dictionary identifies Buddhist 空 as "Emptiness". The biography establishes Wang Wei's Buddhist practice. His hearing a resonance is a literary inference, explicitly qualified on the page as "a reading, not a certainty". - CONFIRMED | [retained standard-buddhist-reading] "That the Buddhist charge is intended is a reading, not a certainty" | https://en.wikipedia.org/wiki/Wangchuan_ji; https://www.shidianguji.com/zh/book/HY1013/chapter/1knzdvbywkxt5 | Retained from N2-codex.md, N2-claude.md: C077 (standard-buddhist-reading); The full source, beyond the estate excerpt, discusses Owen's reading of Buddhist emptiness in the opening line. Tang's commentary also invokes "三昧法門". The page correctly presents Buddhist intent as a conventional reading, not a certainty. - CONFIRMED | [retained qing-range] "青 qīng is the colour of moss, of young growth, of distant hills, of the sky, and of black hair" | https://www.zdic.net/hant/青; https://zh.wikisource.org/wiki/鹿柴_(王維) | Retained from N2-codex.md, N2-claude.md: C080 (qing-range); The dictionary explicitly includes "藍色", "黑色" and green vegetation senses, with English glosses "blue", "green", "black". 青苔 in the poem supports the contextual green-moss choice. - CONFIRMED | [retained qing-three-colours] "it ranges across what English splits into green, blue, and black." | https://www.zdic.net/hant/青; https://zh.wikisource.org/wiki/鹿柴_(王維) | Retained from N2-codex.md, N2-claude.md: C081 (qing-three-colours); The dictionary explicitly includes "藍色", "黑色" and green vegetation senses, with English glosses "blue", "green", "black". 青苔 in the poem supports the contextual green-moss choice. - CONFIRMED | [retained green-moss-gloss] ""Green moss" is the right call here, but the word it translates does not have English's edges." | https://www.zdic.net/hant/青; https://zh.wikisource.org/wiki/鹿柴_(王維) | Retained from N2-codex.md, N2-claude.md: C082 (green-moss-gloss); The dictionary explicitly includes "藍色", "黑色" and green vegetation senses, with English glosses "blue", "green", "black". 青苔 in the poem supports the contextual green-moss choice. - CONFIRMED | [retained font-license] "Noto Serif SC (SIL OFL)" | https://raw.githubusercontent.com/notofonts/noto-cjk/main/Serif/LICENSE | Retained from N2-codex.md, N2-claude.md: C084 (font-license); The upstream font licence states "This Font Software is licensed under the SIL Open Font License, Version 1.1." - CONFIRMED | [retained original-chinese] "空山不見人 但聞人語響 返景入深林 復照青苔上" | https://zh.wikisource.org/wiki/鹿柴_(王維); https://zh.wikisource.org/wiki/全唐詩/卷128 | Retained from N2-codex.md, N2-claude.md: C086 (original-chinese); The primary witnesses give "空山不見人，但聞人語響。返景入深林，復照青苔上。" The banner and gallery preserve all twenty characters. Punctuation and layout differences do not change the quotation. - CONFIRMED | [retained bynner-line-1] "There seems to be no one on the empty mountain . . ." | https://en.wikisource.org/wiki/The_Jade_Mountain/Deer-Park_Hermitage | Retained from N2-codex.md, N2-claude.md: C088 (bynner-line-1); The scan-backed text gives "There seems to be no one on the empty mountain . . .". - CONFIRMED | [retained crib-line-1] "empty mountain" / "not see person" | https://eastasiastudent.net/china/classical/wang-wei-deer-enclosure/ | Retained from N2-codex.md, N2-claude.md: C089 (crib-line-1); The source gives "Kōngshān bùjiàn rén" and the word senses empty, mountain, not, see, person. The page separates the pinyin into individual characters, without changing sounds. - CONFIRMED | [retained pinyin-line-1] "kōng shān bù jiàn rén" | https://eastasiastudent.net/china/classical/wang-wei-deer-enclosure/ | Retained from N2-codex.md, N2-claude.md: C090 (pinyin-line-1); The source gives "Kōngshān bùjiàn rén" and the word senses empty, mountain, not, see, person. The page separates the pinyin into individual characters, without changing sounds. - CONFIRMED | [retained bynner-line-2] "And yet I think I hear a voice," | https://en.wikisource.org/wiki/The_Jade_Mountain/Deer-Park_Hermitage | Retained from N2-codex.md, N2-claude.md: C092 (bynner-line-2); The printed poem has "And yet I think I hear a voice,". The quoted words match; the shortened pull quotation changes only terminal punctuation. - CONFIRMED | [retained crib-line-2] "only hear" / "human speech, echo" | https://eastasiastudent.net/china/classical/wang-wei-deer-enclosure/; https://www.zdic.net/hant/但 | Retained from N2-codex.md, N2-claude.md: C093 (crib-line-2); The source gives "dàn wén rén yǔ xiǎng" with human voice/sound; 但 also has the dictionary sense "only". The full five-character line, unlike the tap grid, includes the second 人. - CONFIRMED | [retained pinyin-line-2] "dàn wén rén yǔ xiǎng" | https://eastasiastudent.net/china/classical/wang-wei-deer-enclosure/; https://www.zdic.net/hant/但 | Retained from N2-codex.md, N2-claude.md: C094 (pinyin-line-2); The source gives "dàn wén rén yǔ xiǎng" with human voice/sound; 但 also has the dictionary sense "only". The full five-character line, unlike the tap grid, includes the second 人. - CONFIRMED | [retained bynner-line-3] "Where sunlight, entering a grove," | https://en.wikisource.org/wiki/The_Jade_Mountain/Deer-Park_Hermitage | Retained from N2-codex.md, N2-claude.md: C096 (bynner-line-3); The scan-backed text gives "Where sunlight, entering a grove,". - CONFIRMED | [retained crib-line-3] "returning light" / "enter deep forest" | https://eastasiastudent.net/china/classical/wang-wei-deer-enclosure/ | Retained from N2-codex.md, N2-claude.md: C097 (crib-line-3); The source gives "Fǎn jǐng rù shēnlín" and reflected sunlight entering a deep forest. Returning light is the dictionary-supported literal rendering of 返景. - CONFIRMED | [retained pinyin-line-3] "fǎn jǐng rù shēn lín" | https://eastasiastudent.net/china/classical/wang-wei-deer-enclosure/ | Retained from N2-codex.md, N2-claude.md: C098 (pinyin-line-3); The source gives "Fǎn jǐng rù shēnlín" and reflected sunlight entering a deep forest. Returning light is the dictionary-supported literal rendering of 返景. - CONFIRMED | [retained bynner-line-4] "Shines back to me from the green moss." | https://en.wikisource.org/wiki/The_Jade_Mountain/Deer-Park_Hermitage | Retained from N2-codex.md, N2-claude.md: C100 (bynner-line-4); The scan-backed text gives "Shines back to me from the green moss." The prose excerpt lowers the initial capital and changes terminal punctuation; its words are authentic. - CONFIRMED | [retained crib-line-4] "again shine" / "upon the green moss" | https://eastasiastudent.net/china/classical/wang-wei-deer-enclosure/ | Retained from N2-codex.md, N2-claude.md: C101 (crib-line-4); The source gives "fù zhào qīngtái shàng" and the gloss again, shine, green, moss, on. - CONFIRMED | [retained pinyin-line-4] "fù zhào qīng tái shàng" | https://eastasiastudent.net/china/classical/wang-wei-deer-enclosure/ | Retained from N2-codex.md, N2-claude.md: C102 (pinyin-line-4); The source gives "fù zhào qīngtái shàng" and the gloss again, shine, green, moss, on. - CONFIRMED | [retained char-1-body-1] "鹿 lù noun · title Deer. The first half of the place-name." | https://www.zdic.net/hant/鹿; https://zh.wikisource.org/wiki/鹿柴_(王維) | Retained from N2-codex.md, N2-claude.md: C104 (char-1-body-1); The dictionary labels 鹿 "lù", a deer, and "象形"; its etymology describes the head, antlers and legs. The poem title begins 鹿柴. - CONFIRMED | [retained char-1-body-2] "The first half of the place-name." | https://www.zdic.net/hant/鹿; https://zh.wikisource.org/wiki/鹿柴_(王維) | Retained from N2-codex.md, N2-claude.md: C105 (char-1-body-2); The dictionary labels 鹿 "lù", a deer, and "象形"; its etymology describes the head, antlers and legs. The poem title begins 鹿柴. - CONFIRMED | [retained char-1-body-3] "A pictograph of a deer, antlers and all." | https://www.zdic.net/hant/鹿; https://zh.wikisource.org/wiki/鹿柴_(王維) | Retained from N2-codex.md, N2-claude.md: C106 (char-1-body-3); The dictionary labels 鹿 "lù", a deer, and "象形"; its etymology describes the head, antlers and legs. The poem title begins 鹿柴. - CONFIRMED | [retained char-2-body-1] "柴 zhài noun · title Here read zhài, a loan for 寨/砦: a palisade, brushwood fence, stockade" / "a deer enclosure." | https://k.sina.cn/article_2173867535_8192960f01901ey6u.html | Retained from N2-codex.md, N2-claude.md: C107 (char-2-body-1); The publisher commentary quotes "柴通‘寨’‘砦’，即栅栏、篱障" and gives zhài for the place name. The generic 柴 excerpt supplied for some entries omits this reading, so it was supplemented. - CONFIRMED | [retained char-2-body-2] "Read chái the same character means firewood, and that is its everyday reading." | https://www.zdic.net/hant/柴 | Retained from N2-codex.md, N2-claude.md: C108 (char-2-body-2); The dictionary labels the common reading "chái" and defines it as "燒火用的草木". - CONFIRMED | [retained char-2-body-3] "The title's second character is already a fork." | https://k.sina.cn/article_2173867535_8192960f01901ey6u.html | Retained from N2-codex.md, N2-claude.md: C109 (char-2-body-3); The publisher commentary quotes "柴通‘寨’‘砦’，即栅栏、篱障" and gives zhài for the place name. The generic 柴 excerpt supplied for some entries omits this reading, so it was supplemented. - CONFIRMED | [retained char-2-open-1] "WHICH READING" / "chái 'firewood' or zhài 'enclosure'? The place-name takes zhài." | https://k.sina.cn/article_2173867535_8192960f01901ey6u.html | Retained from N2-codex.md, N2-claude.md: C110 (char-2-open-1); The publisher commentary quotes "柴通‘寨’‘砦’，即栅栏、篱障" and gives zhài for the place name. The generic 柴 excerpt supplied for some entries omits this reading, so it was supplemented. - CONFIRMED | [retained char-3-body-1] "空 kōng adjective Empty, vacant, deserted." | https://www.zdic.net/hant/空 | Retained from N2-codex.md, N2-claude.md: C111 (char-3-body-1); The dictionary labels 空 "kōng" and gives "空虛;內無所有" and "empty;hollow". - CONFIRMED | [retained char-3-body-2] "Also, in Buddhist usage, śūnyatā" / "the void, emptiness as a doctrine." | https://www.zdic.net/hant/空; https://en.wikipedia.org/wiki/Wang_Wei; git show 67088387e0:public/strata/the-empty-mountain/index.html | Retained from N2-codex.md, N2-claude.md: C112 (char-3-body-2); The dictionary identifies Buddhist 空 as "Emptiness". The biography establishes Wang Wei's Buddhist practice. His hearing a resonance is a literary inference, explicitly qualified on the page as "a reading, not a certainty". - CONFIRMED | [retained char-3-body-3] "Wang Wei the Buddhist would hear both." | https://www.zdic.net/hant/空; https://en.wikipedia.org/wiki/Wang_Wei; git show 67088387e0:public/strata/the-empty-mountain/index.html | Retained from N2-codex.md, N2-claude.md: C113 (char-3-body-3); The dictionary identifies Buddhist 空 as "Emptiness". The biography establishes Wang Wei's Buddhist practice. His hearing a resonance is a literary inference, explicitly qualified on the page as "a reading, not a certainty". - CONFIRMED | [retained char-3-open-1] This empty-mountain phrase marks neither an English article nor noun number inflection. | https://plato.stanford.edu/entries/chinese-translate-interpret/; https://zh.wikisource.org/wiki/鹿柴_(王維) | Retained from N2-codex.md, N2-claude.md: C115 (char-3-open-1); The source distinguishes lack of inflection from meaning recoverable in context. The cited noun or verb has no overt article, plural suffix, or tense inflection in this poem. The record uses the repaired wording; the accepted triage fixes above qualify the former phrasing. - CONFIRMED | [retained char-4-body-1] "山 shān noun Mountain, hill. A pictograph of three peaks." | https://www.zdic.net/hant/山 | Retained from N2-codex.md, N2-claude.md: C116 (char-4-body-1); The dictionary calls 山 "shān", "mountain", and a pictograph of adjacent peaks. The traditional graph visibly has three peaks; the supplied excerpt supports pictographic origin but does not explicitly count them. - CONFIRMED | [retained char-4-body-2] "A pictograph of three peaks." | https://www.zdic.net/hant/山 | Retained from N2-codex.md, N2-claude.md: C117 (char-4-body-2); The dictionary calls 山 "shān", "mountain", and a pictograph of adjacent peaks. The traditional graph visibly has three peaks; the supplied excerpt supports pictographic origin but does not explicitly count them. - CONFIRMED | [retained char-4-body-3] "No plural marking" / "one mountain, or mountains in general; the grammar doesn't say." | https://plato.stanford.edu/entries/chinese-translate-interpret/; https://zh.wikisource.org/wiki/鹿柴_(王維) | Retained from N2-codex.md, N2-claude.md: C118 (char-4-body-3); The source distinguishes lack of inflection from meaning recoverable in context. The cited noun or verb has no overt article, plural suffix, or tense inflection in this poem. - CONFIRMED | [retained char-5-body-1] "不 bù negative Not. The ordinary negator of verbs." | https://www.zdic.net/hant/不; https://zh.wikisource.org/wiki/鹿柴_(王維) | Retained from N2-codex.md, N2-claude.md: C119 (char-5-body-1); The dictionary calls 不 "bù" and a negator used before verbs, adjectives or certain adverbs. "Not see" is direct; "is not seen" is the corresponding English passive paraphrase, not an inflection of 不. - CONFIRMED | [retained char-5-body-2] "The ordinary negator of verbs." | https://www.zdic.net/hant/不; https://zh.wikisource.org/wiki/鹿柴_(王維) | Retained from N2-codex.md, N2-claude.md: C120 (char-5-body-2); The dictionary calls 不 "bù" and a negator used before verbs, adjectives or certain adverbs. "Not see" is direct; "is not seen" is the corresponding English passive paraphrase, not an inflection of 不. - CONFIRMED | [retained char-5-body-3] "不見 = 'not see' / 'is not seen.'" | https://www.zdic.net/hant/不; https://zh.wikisource.org/wiki/鹿柴_(王維) | Retained from N2-codex.md, N2-claude.md: C121 (char-5-body-3); The dictionary calls 不 "bù" and a negator used before verbs, adjectives or certain adverbs. "Not see" is direct; "is not seen" is the corresponding English passive paraphrase, not an inflection of 不. - CONFIRMED | [retained char-6-body-2] "The hinge of line 1: with no subject printed, 不見人 can be '(one) sees no person' or 'no person is seen'" / "active or passive, and the doer is nowhere named." | https://zh.wikisource.org/wiki/鹿柴_(王維); https://plato.stanford.edu/entries/chinese-translate-interpret/ | Retained from N2-codex.md, N2-claude.md: C123 (char-6-body-2); In "不見人" and "但聞人語響", the seer and hearer are not printed. Active and passive English renderings can preserve the same event. This does not imply that the entire poem has no subject. - CONFIRMED | [retained char-6-open-1] "NO SUBJECT" / "who does the not-seeing? You? No one? The mountain? Unmarked." | https://zh.wikisource.org/wiki/鹿柴_(王維); https://plato.stanford.edu/entries/chinese-translate-interpret/ | Retained from N2-codex.md, N2-claude.md: C124 (char-6-open-1); In "不見人" and "但聞人語響", the seer and hearer are not printed. Active and passive English renderings can preserve the same event. This does not imply that the entire poem has no subject. - CONFIRMED | [retained char-7-body-1] "人 rén noun Person, people, human, man." | https://www.zdic.net/hant/人 | Retained from N2-codex.md, N2-claude.md: C125 (char-7-body-1); The dictionary labels 人 "rén", gives "human being;person;man;woman", and describes a pictograph of a standing figure. - CONFIRMED | [retained char-7-body-2] "A pictograph of a standing figure." | https://www.zdic.net/hant/人 | Retained from N2-codex.md, N2-claude.md: C126 (char-7-body-2); The dictionary labels 人 "rén", gives "human being;person;man;woman", and describes a pictograph of a standing figure. - CONFIRMED | [retained char-7-body-3] "No number: 'a person,' 'people,' 'anyone'" / "all the same two strokes." | https://plato.stanford.edu/entries/chinese-translate-interpret/; https://zh.wikisource.org/wiki/鹿柴_(王維) | Retained from N2-codex.md, N2-claude.md: C127 (char-7-body-3); The source distinguishes lack of inflection from meaning recoverable in context. The cited noun or verb has no overt article, plural suffix, or tense inflection in this poem. - CONFIRMED | [retained char-7-open-1] "NO NUMBER" / "one man, or people in general? Unmarked." | https://plato.stanford.edu/entries/chinese-translate-interpret/; https://zh.wikisource.org/wiki/鹿柴_(王維) | Retained from N2-codex.md, N2-claude.md: C128 (char-7-open-1); The source distinguishes lack of inflection from meaning recoverable in context. The cited noun or verb has no overt article, plural suffix, or tense inflection in this poem. - CONFIRMED | [retained char-8-body-1] "但 dàn adverb Only, merely, but." | https://www.zdic.net/hant/但; https://zh.wikisource.org/wiki/鹿柴_(王維) | Retained from N2-codex.md, N2-claude.md: C129 (char-8-body-1); The dictionary gives 但 "dàn" and "Only" / "只，僅，只是". In context it restricts the contrast between seeing nobody and hearing speech. - CONFIRMED | [retained char-8-body-2] "Restricts what follows: 'only" / "[one] hears…'." | https://www.zdic.net/hant/但; https://zh.wikisource.org/wiki/鹿柴_(王維) | Retained from N2-codex.md, N2-claude.md: C130 (char-8-body-2); The dictionary gives 但 "dàn" and "Only" / "只，僅，只是". In context it restricts the contrast between seeing nobody and hearing speech. - CONFIRMED | [retained char-8-body-3] "It scopes the line to the single sense left when sight finds no one: sound." | https://www.zdic.net/hant/但; https://zh.wikisource.org/wiki/鹿柴_(王維) | Retained from N2-codex.md, N2-claude.md: C131 (char-8-body-3); The dictionary gives 但 "dàn" and "Only" / "只，僅，只是". In context it restricts the contrast between seeing nobody and hearing speech. - CONFIRMED | [retained char-9-body-1] "聞 wén verb To hear (also 'to smell')." | https://www.zdic.net/hant/聞 | Retained from N2-codex.md, N2-claude.md: C132 (char-9-body-1); The dictionary labels 聞 "wén" and explicitly gives "hear" and "smell". - CONFIRMED | [retained char-9-body-2] "A second subjectless verb: who hears? The Chinese gives no hearer." | https://zh.wikisource.org/wiki/鹿柴_(王維); https://plato.stanford.edu/entries/chinese-translate-interpret/ | Retained from N2-codex.md, N2-claude.md: C133 (char-9-body-2); In "不見人" and "但聞人語響", the seer and hearer are not printed. Active and passive English renderings can preserve the same event. This does not imply that the entire poem has no subject. - CONFIRMED | [retained char-10-body-1] "語 yǔ noun / verb Speech, words; to speak, to talk." | https://www.zdic.net/hant/語; https://zh.wikisource.org/wiki/鹿柴_(王維) | Retained from N2-codex.md, N2-claude.md: C136 (char-10-body-1); The dictionary gives 語 "yǔ", speech and speaking senses, including "交談，說話". 人語 is human speech in this line. - CONFIRMED | [retained char-10-body-2] "人語 = 'human speech / people talking.' Noun and verb live in the one character." | https://www.zdic.net/hant/語; https://zh.wikisource.org/wiki/鹿柴_(王維) | Retained from N2-codex.md, N2-claude.md: C137 (char-10-body-2); The dictionary gives 語 "yǔ", speech and speaking senses, including "交談，說話". 人語 is human speech in this line. - CONFIRMED | [retained char-11-body-1] "響 xiǎng noun / verb Sound, echo, resonance; to make a sound, to ring." | https://www.zdic.net/hant/響 | Retained from N2-codex.md, N2-claude.md: C138 (char-11-body-1); The full dictionary supplies noun senses "回聲" and "聲音", and the verb "發出聲音". The record excerpt includes only the noun material. - CONFIRMED | [retained char-11-body-2] "人語響 = the echo/ring of human voices" / "present as sound, absent as bodies." | https://zh.wikisource.org/wiki/鹿柴_(王維); https://www.zdic.net/hant/響 | Retained from N2-codex.md, N2-claude.md: C139 (char-11-body-2); The received second line is "但聞人語響". It ends in 響 and presents heard human speech while the first line says no person is seen. - CONFIRMED | [retained char-11-body-3] "Rhyme-word of line 2." | https://zh.wikisource.org/wiki/鹿柴_(王維); https://www.zdic.net/hant/響 | Retained from N2-codex.md, N2-claude.md: C140 (char-11-body-3); The received second line is "但聞人語響". It ends in 響 and presents heard human speech while the first line says no person is seen. - CONFIRMED | [retained char-12-body-1] "返 fǎn verb To return, turn back, come back." | https://www.zdic.net/hant/返 | Retained from N2-codex.md, N2-claude.md: C141 (char-12-body-1); The dictionary gives 返 "fǎn", "回，歸" and "return;go back". - CONFIRMED | [retained char-12-body-2] "Modifies the light: light that has turned back" / "the low sun's rays slanting in from the west, reaching east." | https://www.zdic.net/hant/返景 | Retained from N2-codex.md, N2-claude.md: C142 (char-12-body-2); The dictionary defines 返景 as "傍晚時分斜照的陽光" and quotes "返景入深林，復照青苔上". This supports evening light entering the deep forest and falling on moss. - CONFIRMED | [retained char-13-body-1] "景 jǐng noun Plainly, jǐng: light, brightness, sunlight (also 'scenery, view')." | https://www.zdic.net/hant/景 | Retained from N2-codex.md, N2-claude.md: C143 (char-13-body-1); The dictionary gives "景 jǐng" and "本義:日光", alongside scenery senses. - CONFIRMED | [retained char-13-body-2] "But 景 is the original graph for 影 yǐng, shadow / reflection" / "and some authorities read it that way here." | https://k.sina.cn/article_2173867535_8192960f01901ey6u.html | Retained from N2-codex.md, N2-claude.md: C144 (char-13-body-2); The full commentary explains that the shadow sense was originally written 景 and that 影 was later formed by adding 彡. The supplied excerpt omitted this relevant paragraph. - CONFIRMED | [retained char-13-body-3] "The meaning ('returning evening light') is settled; the reading is not." | https://k.sina.cn/article_2173867535_8192960f01901ey6u.html; https://www.zdic.net/hant/返景 | Retained from N2-codex.md, N2-claude.md: C145 (char-13-body-3); The commentary explicitly reports "有人读jǐng，也有人读yǐng" and discusses a shadow interpretation. The dictionary gives both fǎn jǐng and fǎn yǐng for returning sunlight. Pronunciation disagreement is real; yǐng does not by itself require a shadow meaning. - CONFIRMED | [retained char-13-open-1] The page reads line 4's 照 as support for light, not a settled pronunciation. | https://www.zdic.net/hant/照; https://k.sina.cn/article_2173867535_8192960f01901ey6u.html | Retained from N2-codex.md, N2-claude.md: C146 (char-13-open-1); 照 is defined as "光線射在物體上" and "shine;illuminate;light up". The light-versus-shadow argument is a reasonable reading of these words; it should not be confused with a fixed pronunciation. The record uses the repaired wording; the accepted triage fixes above qualify the former phrasing. - CONFIRMED | [retained char-14-body-1] "入 rù verb To enter, go into." | https://www.zdic.net/hant/入 | Retained from N2-codex.md, N2-claude.md: C147 (char-14-body-1); The dictionary gives 入 "rù" and "enter;come into". - CONFIRMED | [retained char-14-body-2] "The light enters the deep forest" / "a verb of motion with, again, no marked tense: entering now, always, or once." | https://plato.stanford.edu/entries/chinese-translate-interpret/; https://zh.wikisource.org/wiki/鹿柴_(王維) | Retained from N2-codex.md, N2-claude.md: C148 (char-14-body-2); The source distinguishes lack of inflection from meaning recoverable in context. The cited noun or verb has no overt article, plural suffix, or tense inflection in this poem. - CONFIRMED | [retained char-14-open-1] "NO TENSE" / "does it enter, did it enter, will it? Unmarked." | https://plato.stanford.edu/entries/chinese-translate-interpret/; https://zh.wikisource.org/wiki/鹿柴_(王維) | Retained from N2-codex.md, N2-claude.md: C149 (char-14-open-1); The source distinguishes lack of inflection from meaning recoverable in context. The cited noun or verb has no overt article, plural suffix, or tense inflection in this poem. - CONFIRMED | [retained char-15-body-1] "深 shēn adjective Deep. 深林 = 'deep forest,' the shaded interior the slanting light reaches into." | https://www.zdic.net/hant/深 | Retained from N2-codex.md, N2-claude.md: C150 (char-15-body-1); The dictionary gives 深 "shēn" and "deep"; the received poem has "深林". - CONFIRMED | [retained char-15-body-2] "深林 = 'deep forest,' the shaded interior the slanting light reaches into." | https://www.zdic.net/hant/返景 | Retained from N2-codex.md, N2-claude.md: C151 (char-15-body-2); The dictionary defines 返景 as "傍晚時分斜照的陽光" and quotes "返景入深林，復照青苔上". This supports evening light entering the deep forest and falling on moss. - CONFIRMED | [retained char-16-body-1] "林 lín noun Forest, grove, woods." | https://www.zdic.net/hant/林 | Retained from N2-codex.md, N2-claude.md: C152 (char-16-body-1); The dictionary labels 林 "lín", "forest;grove;woods", and explicitly explains "從二木". - CONFIRMED | [retained char-16-body-2] "Two 木 (trees) side by side" / "the character is a little wood in itself." | https://www.zdic.net/hant/林 | Retained from N2-codex.md, N2-claude.md: C153 (char-16-body-2); The dictionary labels 林 "lín", "forest;grove;woods", and explicitly explains "從二木". - CONFIRMED | [retained char-17-body-1] "復 fù adverb Again, once more; to return, repeat." | https://www.zdic.net/hant/復 | Retained from N2-codex.md, N2-claude.md: C154 (char-17-body-1); The dictionary gives 復 "fù", returning and repeated-action senses, including "又，再". The before/after-shade scenario is an explicitly interpretive gloss of recurrence. - CONFIRMED | [retained char-17-body-2] "'Again it shines'" / "the light coming back to a place it has lit before, or returning after the day's shade." | https://www.zdic.net/hant/復 | Retained from N2-codex.md, N2-claude.md: C155 (char-17-body-2); The dictionary gives 復 "fù", returning and repeated-action senses, including "又，再". The before/after-shade scenario is an explicitly interpretive gloss of recurrence. - CONFIRMED | [retained char-18-body-1] "照 zhào verb To shine, illuminate, light up; to reflect (as a mirror does)." | https://www.zdic.net/hant/照 | Retained from N2-codex.md, N2-claude.md: C156 (char-18-body-1); The dictionary gives 照 "zhào", "shine;illuminate;light up" and "reflect". - CONFIRMED | [retained char-18-open-1] "NO SUBJECT MARKED" / "the light shines; but the doer is grammatical inference, not a printed word." | https://zh.wikisource.org/wiki/鹿柴_(王維) | Retained from N2-codex.md, N2-claude.md: C158 (char-18-open-1); The fourth line "復照青苔上" omits an overt subject; the light is recoverable from the printed "返景" in line three. The local claim about line four is narrower than the page's false whole-poem claim. - CONFIRMED | [retained char-19-body-1] "青 qīng adjective Green / blue-green" / "the colour of moss, young growth, distant hills, the sky, and black hair." | https://www.zdic.net/hant/青; https://zh.wikisource.org/wiki/鹿柴_(王維) | Retained from N2-codex.md, N2-claude.md: C159 (char-19-body-1); The dictionary explicitly includes "藍色", "黑色" and green vegetation senses, with English glosses "blue", "green", "black". 青苔 in the poem supports the contextual green-moss choice. - CONFIRMED | [retained char-19-body-2] "One word across what English splits into green, blue, and black." | https://www.zdic.net/hant/青; https://zh.wikisource.org/wiki/鹿柴_(王維) | Retained from N2-codex.md, N2-claude.md: C160 (char-19-body-2); The dictionary explicitly includes "藍色", "黑色" and green vegetation senses, with English glosses "blue", "green", "black". 青苔 in the poem supports the contextual green-moss choice. - CONFIRMED | [retained char-19-open-1] "COLOUR WITHOUT ENGLISH'S EDGES" / "green? blue? Both live in 青." | https://www.zdic.net/hant/青; https://zh.wikisource.org/wiki/鹿柴_(王維) | Retained from N2-codex.md, N2-claude.md: C161 (char-19-open-1); The dictionary explicitly includes "藍色", "黑色" and green vegetation senses, with English glosses "blue", "green", "black". 青苔 in the poem supports the contextual green-moss choice. - CONFIRMED | [retained char-20-body-1] "苔 tái noun Moss, lichen. The poem's last image" / "the one green thing the returning light happens to touch." | https://www.zdic.net/hant/苔; https://zh.wikisource.org/wiki/鹿柴_(王維) | Retained from N2-codex.md, N2-claude.md: C162 (char-20-body-1); The dictionary gives 苔 "tái" and "lichen;mosses". The received poem ends on "青苔上", supporting the image described. - CONFIRMED | [retained char-20-body-2] "The poem's last image" / "the one green thing the returning light happens to touch." | https://www.zdic.net/hant/苔; https://zh.wikisource.org/wiki/鹿柴_(王維) | Retained from N2-codex.md, N2-claude.md: C163 (char-20-body-2); The dictionary gives 苔 "tái" and "lichen;mosses". The received poem ends on "青苔上", supporting the image described. - CONFIRMED | [retained char-21-body-1] "上 shàng noun / postposition On, upon, above; top; to ascend." | https://www.zdic.net/hant/上; https://zh.wikisource.org/wiki/鹿柴_(王維) | Retained from N2-codex.md, N2-claude.md: C165 (char-21-body-1); The dictionary gives 上 "shàng" and its postnominal locative use. The poem has "青苔上", with 上 ending line four. - CONFIRMED | [retained char-21-body-2] "Here a postposition: 青苔上 = 'upon the green moss.' The rhyme-word of line 4, closing the poem on a surface, a place, a touch." | https://www.zdic.net/hant/上; https://zh.wikisource.org/wiki/鹿柴_(王維) | Retained from N2-codex.md, N2-claude.md: C166 (char-21-body-2); The dictionary gives 上 "shàng" and its postnominal locative use. The poem has "青苔上", with 上 ending line four. - CONFIRMED | [retained blank-subject-original] "The Chinese names no subject for either verb. The seer and the hearer are simply absent." | https://zh.wikisource.org/wiki/鹿柴_(王維); https://plato.stanford.edu/entries/chinese-translate-interpret/ | Retained from N2-codex.md, N2-claude.md: C167 (blank-subject-original); In "不見人" and "但聞人語響", the seer and hearer are not printed. Active and passive English renderings can preserve the same event. This does not imply that the entire poem has no subject. - CONFIRMED | [retained blank-subject-gloss] "… not see person / only hear … (verbs 見 'see', 聞 'hear'" / "no doer printed)" | https://zh.wikisource.org/wiki/鹿柴_(王維); https://plato.stanford.edu/entries/chinese-translate-interpret/ | Retained from N2-codex.md, N2-claude.md: C168 (blank-subject-gloss); In "不見人" and "但聞人語響", the seer and hearer are not printed. Active and passive English renderings can preserve the same event. This does not imply that the entire poem has no subject. - CONFIRMED | [retained blank-subject-2-note] "Inserts a first-person observer the original has no word for" / "and even a verb of doubt ('think'). The empty mountain acquires an I." | https://en.wikisource.org/wiki/The_Jade_Mountain/Deer-Park_Hermitage; https://zh.wikisource.org/wiki/鹿柴_(王維) | Retained from N2-codex.md, N2-claude.md: C170 (blank-subject-2-note); Bynner supplies a first-person hearer in "I think I hear" and a first-person recipient in "to me". Neither has an explicit first-person pronoun in the Chinese; "twice" refers to these two places, not the count of pronoun tokens. - CONFIRMED | [retained blank-number-original] "人 is just 'person/people/human.' No article, no plural; 'a man,' 'anyone,' and 'people' are the same character." | https://www.zdic.net/hant/人; https://plato.stanford.edu/entries/chinese-translate-interpret/; https://zh.wikisource.org/wiki/鹿柴_(王維) | Retained from N2-codex.md, N2-claude.md: C171 (blank-number-original); The 人 entry includes person and people senses, while the grammatical source confirms absent number inflection. The two instances in the poem do not specify a count. - CONFIRMED | [retained blank-number-gloss] "… (not see) person / person (speech echo)" / "人 carries no singular or plural" | https://www.zdic.net/hant/人; https://plato.stanford.edu/entries/chinese-translate-interpret/; https://zh.wikisource.org/wiki/鹿柴_(王維) | Retained from N2-codex.md, N2-claude.md: C172 (blank-number-gloss); The 人 entry includes person and people senses, while the grammatical source confirms absent number inflection. The two instances in the poem do not specify a count. - CONFIRMED | [retained blank-number-2-note] "Singular both times" / "'no one,' 'a voice.' A quieter, lonelier count than Fletcher's echoing 'voices.'" | https://en.wikisource.org/wiki/The_Jade_Mountain/Deer-Park_Hermitage; https://archive.org/download/gemsofchinesever00fletiala/page/n150.jpg | Retained from N2-codex.md, N2-claude.md: C174 (blank-number-2-note); Bynner has "no one" and "a voice"; Fletcher has "voices". The singular-versus-plural comparison is supported. The quiet/lonely effect is literary interpretation. - CONFIRMED | [retained blank-tense-original] "No verb is marked for time. The scene could be this one dusk, every dusk, or a dusk recalled. The grammar holds all three at once." | https://plato.stanford.edu/entries/chinese-translate-interpret/; https://zh.wikisource.org/wiki/鹿柴_(王維) | Retained from N2-codex.md, N2-claude.md: C175 (blank-tense-original); The source distinguishes lack of inflection from meaning recoverable in context. The cited noun or verb has no overt article, plural suffix, or tense inflection in this poem. - CONFIRMED | [retained blank-tense-gloss] "returning light enter deep forest / again shine green moss upon (入 'enter', 照 'shine'" / "no tense)" | https://plato.stanford.edu/entries/chinese-translate-interpret/; https://zh.wikisource.org/wiki/鹿柴_(王維) | Retained from N2-codex.md, N2-claude.md: C176 (blank-tense-gloss); The source distinguishes lack of inflection from meaning recoverable in context. The cited noun or verb has no overt article, plural suffix, or tense inflection in this poem. - CONFIRMED | [retained blank-jing-original] "景 plainly means light; but it is the parent graph of 影 'shadow,' and some read it so here. The meaning converges on the low evening sun; the reading does not." | https://k.sina.cn/article_2173867535_8192960f01901ey6u.html; https://www.zdic.net/hant/返景 | Retained from N2-codex.md, N2-claude.md: C179 (blank-jing-original); The commentary explicitly reports "有人读jǐng，也有人读yǐng" and discusses a shadow interpretation. The dictionary gives both fǎn jǐng and fǎn yǐng for returning sunlight. Pronunciation disagreement is real; yǐng does not by itself require a shadow meaning. - CONFIRMED | [retained blank-jing-gloss] "returning 景 enter deep forest" / "景 jǐng 'light' or, read yǐng, via 影 'shadow'" | https://k.sina.cn/article_2173867535_8192960f01901ey6u.html; https://www.zdic.net/hant/返景 | Retained from N2-codex.md, N2-claude.md: C180 (blank-jing-gloss); The commentary explicitly reports "有人读jǐng，也有人读yǐng" and discusses a shadow interpretation. The dictionary gives both fǎn jǐng and fǎn yǐng for returning sunlight. Pronunciation disagreement is real; yǐng does not by itself require a shadow meaning. - CONFIRMED | [retained citation-1] "全唐詩 / 唐詩三百首, received text of 王維《鹿柴》; cross-checked at Chinese Wikisource" | https://zh.wikisource.org/wiki/鹿柴_(王維); https://zh.wikisource.org/wiki/全唐詩/卷128 | Retained from N2-codex.md, N2-claude.md: C183 (citation-1); The primary witnesses give "空山不見人，但聞人語響。返景入深林，復照青苔上。" The banner and gallery preserve all twenty characters. Punctuation and layout differences do not change the quotation. - CONFIRMED | [retained citation-2] Fletcher, Gems of Chinese Verse (1919), The Form of the Deer, p. 123; page scan, Internet Archive. | https://archive.org/download/gemsofchinesever00fletiala/page/n150.jpg; https://archive.org/metadata/gemsofchinesever00fletiala | Retained from N2-codex.md, N2-claude.md: C184 (citation-2); The title page prints "GEMS OF CHINESE VERSE", Fletcher, "COMMERCIAL PRESS, LIMITED", "SHANGHAI", "1919". Printed p. 123 is headed "THE FORM OF THE DEER". The bibliographic citation is correct even though the page quotes a different text. The record uses the repaired wording; the accepted triage fixes above qualify the former phrasing. - CONFIRMED | [retained citation-3] "Witter Bynner & Kiang Kang-hu, The Jade Mountain (Knopf, 1929), "Deer-Park Hermitage"" / "Wikisource / Internet Archive scan" | https://en.wikisource.org/wiki/Index:The_Jade_Mountain.djvu | Retained from N2-codex.md, N2-claude.md: C185 (citation-3); The scan index names Bynner and Jiang Kanghu, "1945 (reprint of 1929)", "Alfred A Knopf", and "New York". The page does not claim that the actual scanned copy was printed in 1929. - CONFIRMED | [retained citation-4] "Ming-dynasty 唐詩解 (comp. 唐汝詢), "日西落，光返照於東謂之返景"; reading dispute (景/影) per Hàndiǎn 返景 & commentary" | https://www.shidianguji.com/zh/book/HY1013/chapter/1knzdvbywkxt5 | Retained from N2-codex.md: C186 (citation-4); The actual 唐詩解, volume 22, contains "四時纂要：日西落，光返照於東，謂之返景。" The English is a faithful translation. The source record instead quotes 初學記 with 反 spellings; that is a poor attribution witness, not proof that Tang's book lacks the passage. Tang is quoting an earlier text. - CONFIRMED | [retained citation-5] Classical Chinese does not inflect for tense or number and often omits subjects; SEP section 1.2. | https://plato.stanford.edu/entries/chinese-translate-interpret/ | Retained from N2-codex.md, N2-claude.md: C187 (citation-5); The cited grammatical account describes absent tense/number inflection and frequent argument omission; it explicitly allows time words ("today, yesterday, and tomorrow"). This supports absence of inflection, not absence of grammar or all subjects. The record uses the repaired wording; the accepted triage fixes above qualify the former phrasing. - CONFIRMED | [retained citation-6] "Place-name reading 柴 zhài (palisade), not chái (firewood); 輞川集 cycle, Wang Wei estate" | https://eastasiastudent.net/china/classical/wang-wei-deer-enclosure/; https://zh.wikisource.org/wiki/全唐詩/卷128; https://k.sina.cn/article_2173867535_8192960f01901ey6u.html | Retained from N2-codex.md, N2-claude.md: C188 (citation-6); The linked translation gives "Lù Zhài" and "[deer] [enclosure]". It does not itself supply the estate/cycle history; the primary collection and publisher commentary provide those details. - CONFIRMED | [retained citation-7] "Eliot Weinberger, Nineteen Ways of Looking at Wang Wei (Moyer Bell, 1987; expanded New Directions, 2016)" / "referenced, not quoted (in copyright)" | https://www.loc.gov/item/hlas-bi92013262/; https://search.worldcat.org/title/12663374; https://www.ndbooks.com/book/nineteen-ways-of-looking-at-wang-wei/ | Retained from N2-codex.md, N2-claude.md: C189 (citation-7); Direct curl and web opening of the Library of Congress item returned 403. Its indexed catalogue entry gives "Mount Kisco, N.Y.: Moyer Bell, 1987. 53 p."; WorldCat independently gives the same publisher/year. New Directions supplies the 2016 edition. The unreadable fetch is not evidence against the citation. - CONFIRMED | [retained bynner-i-prose] "I think I hear a voice" | https://en.wikisource.org/wiki/The_Jade_Mountain/Deer-Park_Hermitage | Retained from N2-codex.md, N2-claude.md: C194 (bynner-i-prose); The printed poem has "And yet I think I hear a voice,". The quoted words match; the shortened pull quotation changes only terminal punctuation. - CONFIRMED | [retained bynner-me-prose] "shines back to me." | https://en.wikisource.org/wiki/The_Jade_Mountain/Deer-Park_Hermitage | Retained from N2-codex.md, N2-claude.md: C195 (bynner-me-prose); The scan-backed text gives "Shines back to me from the green moss." The prose excerpt lowers the initial capital and changes terminal punctuation; its words are authentic. - CONFIRMED | [retained tang-ruxun-chinese] "日西落，光返照於東謂之返景" | https://www.shidianguji.com/zh/book/HY1013/chapter/1knzdvbywkxt5 | Retained from N2-codex.md: C196 (tang-ruxun-chinese); The actual 唐詩解, volume 22, contains "四時纂要：日西落，光返照於東，謂之返景。" The English is a faithful translation. The source record instead quotes 初學記 with 反 spellings; that is a poor attribution witness, not proof that Tang's book lacks the passage. Tang is quoting an earlier text. - CONFIRMED | [retained dek-tenseless] "Classical Chinese inflects for no tense and no number and freely drops the subject, so the poem names no one, fixes no time, and counts nothing." | https://plato.stanford.edu/entries/chinese-translate-interpret/; https://en.wikipedia.org/wiki/Classical_Chinese_grammar | Retained from N2-codex.md, N2-claude.md: C197 (dek-tenseless); The cited grammatical account describes absent tense/number inflection and frequent argument omission; it explicitly allows time words ("today, yesterday, and tomorrow"). This supports absence of inflection, not absence of grammar or all subjects. - CONFIRMED | [retained dek-light-settled] "the meaning, the low sun slanting back into the shaded forest, is settled" | https://www.zdic.net/hant/返景 | Retained from N2-codex.md, N2-claude.md: C204 (dek-light-settled); The dictionary defines 返景 as "傍晚時分斜照的陽光" and quotes "返景入深林，復照青苔上". This supports evening light entering the deep forest and falling on moss. - CONFIRMED | [retained title-reading] "The character 柴 in the title is read zhài ('palisade, deer enclosure'), not chái ('firewood')." | https://k.sina.cn/article_2173867535_8192960f01901ey6u.html | Retained from N2-codex.md, N2-claude.md: C208 (title-reading); The publisher commentary quotes "柴通‘寨’‘砦’，即栅栏、篱障" and gives zhài for the place name. The generic 柴 excerpt supplied for some entries omits this reading, so it was supplemented. - CONFIRMED | [retained catullus-eight] "Catullus 85 has eight verbs and no noun, and a cross hidden inside its last word;" | https://la.wikisource.org/wiki/Carmina_(Catullus)/85; https://en.wiktionary.org/wiki/excrucio; https://en.wiktionary.org/wiki/crucio | Retained from N2-codex.md, N2-claude.md: C213 (catullus-eight); Recounted the primary couplet: odi, amo, faciam, requiris, nescio, fieri, sentio, excrucior are eight verbs; the other six words are not nouns. The etymological root of excrucior is crucio, from crux. - CONFIRMED | [retained sqrt2] "as √2 and 1 share no common measure" | https://mathcs.clarku.edu/~djoyce/elements/bookX/propX9.html | Retained from N2-codex.md, N2-claude.md: C216 (sqrt2); Euclid X.9 supplies the square-ratio criterion. Recreated the elementary consequence: if sqrt(2)=p/q in lowest terms, p squared = 2 q squared makes both p and q even, a contradiction. Therefore sqrt(2) and 1 are incommensurable. - CONFIRMED | [retained specimen-century] "c. 8th century · 20 characters" | https://en.wikipedia.org/wiki/Wang_Wei; https://zh.wikisource.org/wiki/鹿柴_(王維) | Retained from N2-codex.md, N2-claude.md: C224 (specimen-century); Wang Wei's documented lifetime falls in the eighth century, and the primary poem has twenty characters. The estate-only excerpt does not itself establish the century. - CONFIRMED | [retained legend-additions] "words with no counterpart in the twenty characters (a subject, an "I/me," a "seems," a sunset)" | git show 67088387e0:public/strata/the-empty-mountain/index.html; https://zh.wikisource.org/wiki/鹿柴_(王維) | Retained from N2-codex.md, N2-claude.md: C230 (legend-additions); The legend explains the intended red-italic annotation rule. The Chinese has no explicit I/me or seems; sunset is an explicated evening-light sense rather than a separate printed character. Actual Fletcher quotation and omission errors are recorded separately. - CONFIRMED | [retained bynner-free-verse] Bynner uses free verse and retains the moss image. | https://en.wikisource.org/wiki/The_Jade_Mountain/Deer-Park_Hermitage; https://archive.org/download/gemsofchinesever00fletiala/page/n150.jpg | Retained from N2-codex.md, N2-claude.md: C232 (bynner-free-verse); The four Bynner line endings are "mountain", "voice", "grove", "moss". They do not form Fletcher's hear/appear rhyme, and the final line retains green moss. The record uses the repaired wording; the accepted triage fixes above qualify the former phrasing. - CONFIRMED | [retained buddhism-standard] "but it is the standard one.)" | https://en.wikipedia.org/wiki/Wangchuan_ji; https://www.shidianguji.com/zh/book/HY1013/chapter/1knzdvbywkxt5 | Retained from N2-codex.md, N2-claude.md: C233 (buddhism-standard); The full source, beyond the estate excerpt, discusses Owen's reading of Buddhist emptiness in the opening line. Tang's commentary also invokes "三昧法門". The page correctly presents Buddhist intent as a conventional reading, not a certainty. - CONFIRMED | [retained no-weinberger-quotations] it quotes none of Weinberger's commentary | git show 67088387e0:public/strata/the-empty-mountain/index.html | Retained from N2-claude.md: the page names Weinberger and quotes nothing of his - CONFIRMED | [retained tap-readout] The readout gives its sound, its senses, and | git show 67088387e0:public/strata/the-empty-mountain/index.html | Retained from N2-claude.md: showGloss renders character, pinyin, part of speech, senses and the open slot - CONFIRMED | [retained open-slot-instrument] The Chinese line is shown with the open slot marked; below it, what each translator chose to put there. | git show 67088387e0:public/strata/the-empty-mountain/index.html | Retained from N2-claude.md: Instrument II renders lineHTML with slots and each translator's fill The record uses the repaired wording; the accepted triage fixes above qualify the former phrasing. - CONFIRMED | [retained commentary-sourced] the 返景 reading and its dispute are sourced to Chinese-language commentary; | git show 67088387e0:public/strata/the-empty-mountain/index.html | Retained from N2-claude.md: Sources cite 唐詩解 and zdic 返景 (whose 國語辭典 entry carries the yǐng reading) - CONFIRMED | [retained names-uncertainty] the page names the uncertainty rather than picking a side to sound sure. | git show 67088387e0:public/strata/the-empty-mountain/index.html | Retained from N2-claude.md: the apparatus names the 景 reading and the dates as unsettled - CONFIRMED | [retained font-hosted] Chinese set in a subset of Noto Serif SC (SIL OFL), self-hosted. | public/strata/the-empty-mountain/noto-serif-sc-subset.woff2 | Retained from N2-claude.md: the subset is in the repository and the @font-face loads it - CONFIRMED | [retained laozi-nine] Laozi's six characters split nine translators across a pun and a tabooed word; | git show 67088387e0:src/content/strata/the-way-that-can-be-told.md | Retained from N2-claude.md: "six characters"; "nine public-domain English translations"; the pun on 道 and the tabooed 常 - CONFIRMED | [retained catullus-nine] There the loss is counted across nine Latin hands, here across two Chinese ones | git show 67088387e0:src/content/strata/odi-et-amo.md | Retained from N2-claude.md: "Ten public-domain English renderings by nine translators" - CONFIRMED | [retained standalone-render] An immersive layer; it renders as its own standalone page at the `href` above | src/content/strata/the-empty-mountain.md | Retained from N2-claude.md: href set; the file says its body is not rendered - CONFIRMED | [retained body-unrendered] its body is not rendered. | src/content/strata/the-empty-mountain.md | Retained from N2-claude.md: href set; the file says its body is not rendered - CONFIRMED | [retained source-apparatus] Sources and apparatus are on the page. | git show 67088387e0:public/strata/the-empty-mountain/index.html | Retained from N2-claude.md: Sources and apparatus notes are on the page; glosses labelled as the crib - CONFIRMED | [retained metadata-published] "datePublished":"2026-06-26" | src/content/strata/the-empty-mountain.md | Retained from N2-claude.md: frontmatter "date: 2026-06-26T11:30:00Z" - CONFIRMED | [retained related-chinese-studies] The venue's two studies of a Chinese line scattered across its English hands. | git show 67088387e0:src/content/strata/the-way-that-can-be-told.md | Retained from N2-claude.md: Laozi line under nine translations; this poem under two ## Findings - [fixed] X1: Qualified the opening comparison and limited it to Chinese poems. - [fixed] X2: Replaced grammatical inability with absent tense/number inflection and optional subject omission in the introduction, crib, metadata, and apparatus; added the grammar correction. - [fixed] X3: Qualified the universal language to describe ordinary finite English clauses and the possibilities of poetic fragments, including metadata, body, related notes, and generated nearby teasers. - [fixed] X4: Qualified the universal language to describe ordinary finite English clauses and the possibilities of poetic fragments, including metadata, body, related notes, and generated nearby teasers. - [fixed] X5: Replaced grammatical inability with absent tense/number inflection and optional subject omission in the introduction, crib, metadata, and apparatus; added the grammar correction. - [fixed] X6: Qualified the universal language to describe ordinary finite English clauses and the possibilities of poetic fragments, including metadata, body, related notes, and generated nearby teasers. - [fixed] X7: Restored Fletcher's first-person hearer in prose, pull quote, character gloss, subject instrument, dek, and markdown body; the Fletcher correction names the former false contrast. - [fixed] X8: Changed first to second in the title-reading paragraph and added the ordinal correction. - [fixed] X9: Replaced the majority claim with household and educational use; no replacement readership figure was invented. - [fixed] X10: Changed the prose count from four to six, retained the six marked entries, added the count correction, and checked the count in the verifier. - [fixed] X11: Qualified the universal language to describe ordinary finite English clauses and the possibilities of poetic fragments, including metadata, body, related notes, and generated nearby teasers. - [fixed] X12: Restored Fletcher's first-person hearer in prose, pull quote, character gloss, subject instrument, dek, and markdown body; the Fletcher correction names the former false contrast. - [fixed] X13: Restored all four gallery lines, the local Fletcher reference, excerpts and dependent annotations; the full-translation descriptions now refer to the restored text. Added the Fletcher correction and linked the exact scan page. - [fixed] X15: Restored all four gallery lines, the local Fletcher reference, excerpts and dependent annotations; the full-translation descriptions now refer to the restored text. Added the Fletcher correction and linked the exact scan page. - [fixed] X16: Restored all four gallery lines, the local Fletcher reference, excerpts and dependent annotations; the full-translation descriptions now refer to the restored text. Added the Fletcher correction and linked the exact scan page. - [fixed] X17: Restored Fletcher's first-person hearer in prose, pull quote, character gloss, subject instrument, dek, and markdown body; the Fletcher correction names the former false contrast. - [fixed] X18: Removed the false omission, fDrop data and dependent contrast from prose, glosses, metadata, related note and markdown body. The Fletcher correction names the earlier moss claim. - [fixed] X19: Removed the false omission, fDrop data and dependent contrast from prose, glosses, metadata, related note and markdown body. The Fletcher correction names the earlier moss claim. - [fixed] X20: Removed the false omission, fDrop data and dependent contrast from prose, glosses, metadata, related note and markdown body. The Fletcher correction names the earlier moss claim. - [fixed] X21: Restored all four gallery lines, the local Fletcher reference, excerpts and dependent annotations; the full-translation descriptions now refer to the restored text. Added the Fletcher correction and linked the exact scan page. - [fixed] X23: Restored all four gallery lines, the local Fletcher reference, excerpts and dependent annotations; the full-translation descriptions now refer to the restored text. Added the Fletcher correction and linked the exact scan page. - [fixed] X24: Qualified both English-empty comparisons to say the doctrinal resonance may need context. - [fixed] X25: Removed the false omission, fDrop data and dependent contrast from prose, glosses, metadata, related note and markdown body. The Fletcher correction names the earlier moss claim. - [fixed] X26: Restored all four gallery lines, the local Fletcher reference, excerpts and dependent annotations; the full-translation descriptions now refer to the restored text. Added the Fletcher correction and linked the exact scan page. - [fixed] X27: Restored all four gallery lines, the local Fletcher reference, excerpts and dependent annotations; the full-translation descriptions now refer to the restored text. Added the Fletcher correction and linked the exact scan page. - [fixed] X28: Restored all four gallery lines, the local Fletcher reference, excerpts and dependent annotations; the full-translation descriptions now refer to the restored text. Added the Fletcher correction and linked the exact scan page. - [fixed] X29: Restored all four gallery lines, the local Fletcher reference, excerpts and dependent annotations; the full-translation descriptions now refer to the restored text. Added the Fletcher correction and linked the exact scan page. - [fixed] X30: Removed the false omission, fDrop data and dependent contrast from prose, glosses, metadata, related note and markdown body. The Fletcher correction names the earlier moss claim. - [fixed] X31: Qualified both English-empty comparisons to say the doctrinal resonance may need context. - [fixed] X32: Added the alternate xiàn reading to the dictionary gloss without changing the poem's jiàn label. - [fixed] X33: Restored Fletcher's first-person hearer in prose, pull quote, character gloss, subject instrument, dek, and markdown body; the Fletcher correction names the former false contrast. - [fixed] X34: Restored Fletcher's first-person hearer in prose, pull quote, character gloss, subject instrument, dek, and markdown body; the Fletcher correction names the former false contrast. - [fixed] X35: Identified the 照 observation as this page's interpretation, acknowledged reflection, and distinguished it from the cited argument from 入 in section V and the character readouts. - [fixed] X36: Removed the false omission, fDrop data and dependent contrast from prose, glosses, metadata, related note and markdown body. The Fletcher correction names the earlier moss claim. - [fixed] X37: Restored Fletcher's first-person hearer in prose, pull quote, character gloss, subject instrument, dek, and markdown body; the Fletcher correction names the former false contrast. - [fixed] X38: Restored all four gallery lines, the local Fletcher reference, excerpts and dependent annotations; the full-translation descriptions now refer to the restored text. Added the Fletcher correction and linked the exact scan page. - [fixed] X39: Replaced the invented Illuminates example with pierce/appear and made the habitual reading a possibility. - [fixed] X40: Corrected the tense analysis, left Bynner's gallery words unchanged, and added the tense correction. - [fixed] X41: Restored all four gallery lines, the local Fletcher reference, excerpts and dependent annotations; the full-translation descriptions now refer to the restored text. Added the Fletcher correction and linked the exact scan page. - [fixed] X42: Replaced total disappearance with later expression of return in Shines back to me. - [fixed] X43: Restored all four gallery lines, the local Fletcher reference, excerpts and dependent annotations; the full-translation descriptions now refer to the restored text. Added the Fletcher correction and linked the exact scan page. - [fixed] X44: Restored all four gallery lines, the local Fletcher reference, excerpts and dependent annotations; the full-translation descriptions now refer to the restored text. Added the Fletcher correction and linked the exact scan page. - [fixed] X45: Restored all four gallery lines, the local Fletcher reference, excerpts and dependent annotations; the full-translation descriptions now refer to the restored text. Added the Fletcher correction and linked the exact scan page. - [fixed] X46: Restored all four gallery lines, the local Fletcher reference, excerpts and dependent annotations; the full-translation descriptions now refer to the restored text. Added the Fletcher correction and linked the exact scan page. - [fixed] X47: Replaced grammatical inability with absent tense/number inflection and optional subject omission in the introduction, crib, metadata, and apparatus; added the grammar correction. - [fixed] X48: Qualified the universal language to describe ordinary finite English clauses and the possibilities of poetic fragments, including metadata, body, related notes, and generated nearby teasers. - [fixed] X49: Restored all four gallery lines, the local Fletcher reference, excerpts and dependent annotations; the full-translation descriptions now refer to the restored text. Added the Fletcher correction and linked the exact scan page. - [fixed] X50: Restored Fletcher's first-person hearer in prose, pull quote, character gloss, subject instrument, dek, and markdown body; the Fletcher correction names the former false contrast. - [fixed] X51: Removed the false omission, fDrop data and dependent contrast from prose, glosses, metadata, related note and markdown body. The Fletcher correction names the earlier moss claim. - [fixed] X52: Limited the dek and metadata to the documented reading dispute. - [fixed] X53: Inserted the repeated 人 entry in reading order, retained its established gloss, added the grid correction, and made the verifier compare the full position sequence. - [fixed] X54: Changed the dek and markdown body to normalized local-reference matching; the verifier now compares the actual gallery rows in order and names its limits. - [fixed] X55: Restored all four gallery lines, the local Fletcher reference, excerpts and dependent annotations; the full-translation descriptions now refer to the restored text. Added the Fletcher correction and linked the exact scan page. - [fixed] X56: Corrected this layer's related note, narrowed the adjacent Wang Wei claim to the human observer, and added the temporal-cue correction. - [fixed] X57: Narrowed the related note and markdown summary to the unnamed human observer and added the whole-quatrain correction. - [fixed] X58: Qualified the universal language to describe ordinary finite English clauses and the possibilities of poetic fragments, including metadata, body, related notes, and generated nearby teasers. - [fixed] X59: Qualified the universal language to describe ordinary finite English clauses and the possibilities of poetic fragments, including metadata, body, related notes, and generated nearby teasers. - [fixed] X61: Changed the dek and markdown body to normalized local-reference matching; the verifier now compares the actual gallery rows in order and names its limits. - [dated] X62: Set JSON-LD dateModified to 2026-10-14. No Updated line was added under the explicit JSON-LD exception; the Corrected lines date this revision. - [fixed] X63: Removed the false omission, fDrop data and dependent contrast from prose, glosses, metadata, related note and markdown body. The Fletcher correction names the earlier moss claim. - [fixed] X65: Inserted the repeated 人 entry in reading order, retained its established gloss, added the grid correction, and made the verifier compare the full position sequence. - [fixed] K1: Qualified the opening comparison and limited it to Chinese poems. - [fixed] K2: Restored all four gallery lines, the local Fletcher reference, excerpts and dependent annotations; the full-translation descriptions now refer to the restored text. Added the Fletcher correction and linked the exact scan page. - [fixed] K3: Restored Fletcher's first-person hearer in prose, pull quote, character gloss, subject instrument, dek, and markdown body; the Fletcher correction names the former false contrast. - [fixed] K4: Changed first to second in the title-reading paragraph and added the ordinal correction. - [fixed] K5: Removed most-common/widely-used rankings and retained the circulating date alternatives. - [fixed] K6: Changed the prose count from four to six, retained the six marked entries, added the count correction, and checked the count in the verifier. - [fixed] K7: Restored Fletcher's first-person hearer in prose, pull quote, character gloss, subject instrument, dek, and markdown body; the Fletcher correction names the former false contrast. - [fixed] K8: Restored all four gallery lines, the local Fletcher reference, excerpts and dependent annotations; the full-translation descriptions now refer to the restored text. Added the Fletcher correction and linked the exact scan page. - [fixed] K9: Restored all four gallery lines, the local Fletcher reference, excerpts and dependent annotations; the full-translation descriptions now refer to the restored text. Added the Fletcher correction and linked the exact scan page. - [fixed] K10: Restored all four gallery lines, the local Fletcher reference, excerpts and dependent annotations; the full-translation descriptions now refer to the restored text. Added the Fletcher correction and linked the exact scan page. - [fixed] K11: Restored Fletcher's first-person hearer in prose, pull quote, character gloss, subject instrument, dek, and markdown body; the Fletcher correction names the former false contrast. - [fixed] K12: Removed the false omission, fDrop data and dependent contrast from prose, glosses, metadata, related note and markdown body. The Fletcher correction names the earlier moss claim. - [fixed] K13: Removed the false omission, fDrop data and dependent contrast from prose, glosses, metadata, related note and markdown body. The Fletcher correction names the earlier moss claim. - [fixed] K14: Separated the historical gloss from this page's canopy and duration interpretation; the attribution and quoted passage were preserved. - [fixed] K15: Identified the 照 observation as this page's interpretation, acknowledged reflection, and distinguished it from the cited argument from 入 in section V and the character readouts. - [fixed] K16: Restored all four gallery lines, the local Fletcher reference, excerpts and dependent annotations; the full-translation descriptions now refer to the restored text. Added the Fletcher correction and linked the exact scan page. - [fixed] K17: Replaced the absolute fluency assurance with the actual scope and limitation of the checks. - [fixed] K18: Restored all four gallery lines, the local Fletcher reference, excerpts and dependent annotations; the full-translation descriptions now refer to the restored text. Added the Fletcher correction and linked the exact scan page. - [fixed] K20: Qualified both English-empty comparisons to say the doctrinal resonance may need context. - [fixed] K22: Removed the false omission, fDrop data and dependent contrast from prose, glosses, metadata, related note and markdown body. The Fletcher correction names the earlier moss claim. - [fixed] K23: Restored all four gallery lines, the local Fletcher reference, excerpts and dependent annotations; the full-translation descriptions now refer to the restored text. Added the Fletcher correction and linked the exact scan page. - [fixed] K24: Restored all four gallery lines, the local Fletcher reference, excerpts and dependent annotations; the full-translation descriptions now refer to the restored text. Added the Fletcher correction and linked the exact scan page. - [fixed] K25: Restored all four gallery lines, the local Fletcher reference, excerpts and dependent annotations; the full-translation descriptions now refer to the restored text. Added the Fletcher correction and linked the exact scan page. - [fixed] K26: Restored all four gallery lines, the local Fletcher reference, excerpts and dependent annotations; the full-translation descriptions now refer to the restored text. Added the Fletcher correction and linked the exact scan page. - [fixed] K27: Removed the false omission, fDrop data and dependent contrast from prose, glosses, metadata, related note and markdown body. The Fletcher correction names the earlier moss claim. - [fixed] K28: Qualified both English-empty comparisons to say the doctrinal resonance may need context. - [fixed] K29: Restored Fletcher's first-person hearer in prose, pull quote, character gloss, subject instrument, dek, and markdown body; the Fletcher correction names the former false contrast. - [fixed] K30: Restored Fletcher's first-person hearer in prose, pull quote, character gloss, subject instrument, dek, and markdown body; the Fletcher correction names the former false contrast. - [fixed] K31: Identified the 照 observation as this page's interpretation, acknowledged reflection, and distinguished it from the cited argument from 入 in section V and the character readouts. - [fixed] K32: Removed the false omission, fDrop data and dependent contrast from prose, glosses, metadata, related note and markdown body. The Fletcher correction names the earlier moss claim. - [fixed] K33: Restored Fletcher's first-person hearer in prose, pull quote, character gloss, subject instrument, dek, and markdown body; the Fletcher correction names the former false contrast. - [fixed] K34: Restored all four gallery lines, the local Fletcher reference, excerpts and dependent annotations; the full-translation descriptions now refer to the restored text. Added the Fletcher correction and linked the exact scan page. - [fixed] K35: Corrected the tense analysis, left Bynner's gallery words unchanged, and added the tense correction. - [fixed] K36: Restored all four gallery lines, the local Fletcher reference, excerpts and dependent annotations; the full-translation descriptions now refer to the restored text. Added the Fletcher correction and linked the exact scan page. - [fixed] K37: Replaced total disappearance with later expression of return in Shines back to me. - [fixed] K38: Restored all four gallery lines, the local Fletcher reference, excerpts and dependent annotations; the full-translation descriptions now refer to the restored text. Added the Fletcher correction and linked the exact scan page. - [fixed] K39: Restored all four gallery lines, the local Fletcher reference, excerpts and dependent annotations; the full-translation descriptions now refer to the restored text. Added the Fletcher correction and linked the exact scan page. - [fixed] K40: Restored all four gallery lines, the local Fletcher reference, excerpts and dependent annotations; the full-translation descriptions now refer to the restored text. Added the Fletcher correction and linked the exact scan page. - [fixed] K41: Restored all four gallery lines, the local Fletcher reference, excerpts and dependent annotations; the full-translation descriptions now refer to the restored text. Added the Fletcher correction and linked the exact scan page. - [fixed] K42: Restored all four gallery lines, the local Fletcher reference, excerpts and dependent annotations; the full-translation descriptions now refer to the restored text. Added the Fletcher correction and linked the exact scan page. - [fixed] K43: Restored Fletcher's first-person hearer in prose, pull quote, character gloss, subject instrument, dek, and markdown body; the Fletcher correction names the former false contrast. - [fixed] K44: Removed the false omission, fDrop data and dependent contrast from prose, glosses, metadata, related note and markdown body. The Fletcher correction names the earlier moss claim. - [fixed] K45: Limited the dek and metadata to the documented reading dispute. - [fixed] K46: Inserted the repeated 人 entry in reading order, retained its established gloss, added the grid correction, and made the verifier compare the full position sequence. - [fixed] K47: Changed the dek and markdown body to normalized local-reference matching; the verifier now compares the actual gallery rows in order and names its limits. - [fixed] K48: Restored all four gallery lines, the local Fletcher reference, excerpts and dependent annotations; the full-translation descriptions now refer to the restored text. Added the Fletcher correction and linked the exact scan page. - [fixed] K49: Changed The venue's two to Two of the venue's and regenerated this layer's nearby teaser from the edited frontmatter. - [fixed] K50: Changed the dek and markdown body to normalized local-reference matching; the verifier now compares the actual gallery rows in order and names its limits. - [fixed] K51: Removed the false omission, fDrop data and dependent contrast from prose, glosses, metadata, related note and markdown body. The Fletcher correction names the earlier moss claim. - [fixed] K52: Removed the false omission, fDrop data and dependent contrast from prose, glosses, metadata, related note and markdown body. The Fletcher correction names the earlier moss claim. - [fixed] K53: Restored all four gallery lines, the local Fletcher reference, excerpts and dependent annotations; the full-translation descriptions now refer to the restored text. Added the Fletcher correction and linked the exact scan page.